Ageless Age with Edge

Ageless Age with Edge
welcomes you twofold
Showing posts with label Sleep Vision. Show all posts
Showing posts with label Sleep Vision. Show all posts

Thursday, 30 October 2014

Dark Sister, Dark Water, Dark Cliff, Dark Donnybrookers, Dark Giants, Dark Bull, and the Watery Fair of Rogues!

The Latvian Sisters, the Unclimbable Cliff, the Lone Jew, the Atlantean Dock, the Dark-wearing Donnybrookers, the Lavatory on the Cliff, the Twenty-Feet High Highwaymen, the Black Gaelic Bull,  the Fair of the Rovers in the Bay
 
 
Reporting a dream of height, depth, frivolity, intimacy, song, and Giant Perils


Woke and slept many times today, in which a story was woven in the waking one knows when one is asleep. I came to a seashore, a place I'd been before and often with my sisters and two parents. But family had only travelled there (so far) in my sleep. There was a great reunion along the coast, where the ocean lay to the West. We met in a lodge inside a sea-side forest of elms, oaks, hollies and beeches. There grew very few pines or evergreens - it was not the Great Northwest. Lilija Pugasevich's many sisters were there, though Lilija herself was absent. One of her sisters, unusually dark-haired, kept asking me if I would set sail and visit the Land of the Jews. Her eyes were big and sad. I told her I'd no immediate plans or ability to do so, and she walked away, downcast. Another sister with hair like the sun kept having tea with me, and we shared many stories.


Over this ocean to the West was an island or more, and peninsulas jutting further west to the north. For a look outward over the sea, I climbed up a steep rock-cliff with a loghouse on top, but the residents behaved surly and I retreated down, avoiding a glut of cars and their rubber tires rubbing the pavement into smoke and fire. I had to jump aside to avoid getting run over. I flitted northward up the coast until I came to a quay of boats and sailed west onto a strange platform at sea. We floated upon it and spent the night. But recreationalists with motorised skis kept jumping over us, sometimes landing splat on the platform while we tried to sleep. I eventually erected a tent there - similar to the one I'd laid up in in Glencolmcille Donegal in 2004 and 2010. (https://www.facebook.com/nathan.p.hillman/media_set?set=a.430408248594.199938.695643594&type=3) But I could get no sleep, and travelling Germans begged me to harbour them in my tent.


We all headed back ashore, drifting northward then west again on the south shore of Glencolmcille's peninsula. We looped around the finger until we came to Glencolmcille, where Mary O'Donnell's hostel stood on the high hilltop abandoned, and converted into a hilltop cottage lavatory and tinker's bed.


I headed for company into Glen Head Tavern where the landlady told me with goodwill,


`Careful wearing dark colours now. 'Tis a contest between all dark-haired and dark-clothed ones to knock each other cold. If you're not playin, well, just mind you might get a Ka-NOCK on the head. Careful on the road.`


I looked at my clothes and hair and realised, `I am a dark one!` Then capered up the path to the highest hilltop where Dooey Hostel once stood, and walked into the lonely lavatory. No sooner had I shut the door then a man walked in, an African.


`My friend,` I said. `You are dark as I am dark, though we are dark in different ways. Do not hurt me!`



He pulled a €10 note from his pocket, handed it to my hand and whispered,


`Take this as a sign of my peace! And in payment for interrupting you!`


I took the €10 out a backdoor onto the sheer cliff-face and looked over the 500-feet cliffs down into the sea. I ran as fast as I could back into Glen Head Tavern, €10 richer, my chest to the bar.


`You're for the pub after all?` the landlady asks. I look right and a man comes beside me and stands 20 feet high, ruddy-haired and ruddy-skinned in a ruddy-brown sweater. I nervously give the landlady my note for a drink, and she gives me *€20* in change.


`Is that enough?` she asks.


`Das reicht!` I reply, in German, because the joy of old friends and European community surged in me and I felt like leaping. `Germans say this to mean, "It's plenty!"`, I told her, and I sidle to another side of the inn. Another 20-foot donnybrooker walks inside, shot with ravenblack hair. I scamper out for a breath of stout air.


Needing some privacy again, I run at a fenced pasture, thinking how wonderful to be outdoors hidden from the eyes of priers, lookers and donnybrookers. But as I roll under the fence cables, I get entangled in the barb and nylon and fear an electric shock. `Thank goodness it's not live,` I say to myself. But once inside the pasture, I remember that Ireland is known for bulls and cattle and get too nervous. I leap over another spot of fence, only to find myself in an even narrower fenced pasture with oak-trees and oak-mast. A positively gigantic and intolerant black bull stands 50 feet away next to cows, and lowers his horns and sets straight at me!


In my dreams, quadruped bulls are my greatest enemies. His horns fly toward my ribcage and I suck in my belly and hurl down my hands upon each horn in a tight grip, arcing my body up as he heaves me upward. I fly a hundred feet through the air and land next to the Hilltop Cottage i.e. Dooey Hostel.


I bowleg my way down the wet-grass hill, crouching on the salty slick stone, till I reach the bay far below. A huge tractor ploughs the water and I hear rolling song. Every rover in Glencolmcille is on a sea-tractor, sea-boat, or sea-cattle, riding furiously in the bay while singing songs to echo in your bedroom. The Lost Fair is reinstated, as it was for the first time in 50 years in 2010 when I lived in Donegal, and now is enacted in the waters of the very ocean. The giant tractors and Clydesdales and heavy-hulled boats pull up and down the cove, ringing with the furious delight of local song.


I wake up.


I go back to sleep.


Now I'm with my father, and I tell him I've been filmed in a movie in Donegal. I set him down and begin to play for him the spools which unfold the experience of my above dream.


`Who's the protagonist?` he asks. `Are there any villains?` `Who is the forlorn woman - is she herself a Jew, a Gypsy, or one of the Dark Irish?`


I wake up and write down the dream.

Saturday, 26 April 2014

Fraternal, Extraterral

DREAM - 26 April 2014: I wandered up and down stone stairs at UW-Madison, wanting a grassy spot for a picnic. All university buildings now connected, bridged one to the next with zigging, zagging steps & passage-ways. I walked onto a green and sat by a rectangular flower-bed to relax.

A mixed fraternity sorority crowd, usually classist & uppity, see me and surprise me by sitting down indian-sty...le all around me and the garden space. I'm baffled to notice I'm buff naked (how did this happen?), and so I try to be casual and pretend it's the most normal thing in the world. I take a long, dignified pull at a drink in my hand.

A girl sits down close and explains, `Hey, we saw you and couldn't pass you up. So why are you naked?`

`Well I don't really *know* ... you know?` I figure the honest approach has its cuteness.

She giggles.

`Do you know why you're dressed?` I ask, to the clapping approval of the entire group.

`No idea,` she answers. To my disconsolation, no one follows my lead.

We sit joking and talking, as I discreetly put on articles of clothing I pull from my rucksack. This way, I go from being naked to dressed without anyone noticing.

Right?

The girl and I go off for a stroll, up and down the zigzagging stairs. `Ever been this way before?` she asks me. We tiptoe down a very steep and roofed stair with lateral guards, me first, holding hard on the rails. Suddenly, the roof and railing end. It's now nothing but a bare stair falling like a ladder from the sky, high above the earth. I turn around and look at her, a bit sheepishly,

`I think we oughtta go back. Are there any safer stairs down?`

END OF DREAM

Tuesday, 8 April 2014

Awe and Fainting

Dreamed I was at a banqueting table with long-missed friend, Eadweard. When I tried to embrace him he staggered backward in awe, shouting, `The Grace of the Lord Most High!` Then he fell flat to the ground. Amazed, I stooped, lifted him up saying, `No, it's just me` & tried to hug him to comfort. He stumbled backwards again, a look of overjoyed awe on his face. With hands raised he tumbled back to the ground. Again I lifted him up, tried to take his hand. It fell away trembling as we went around the whole long banquet table with him backing up shouting, `The Grace of the Lord Most High! The Grace of the Lord Most High!` {Dreamt 6 January 2014}

Friday, 8 November 2013

Home in the Family Hotel

I had a dream this morning I stayed with my parents in a hotel overloaded in tea-rooms. We were in Britain. Our lodgings led onto a `theatre-room` where two walls had tall windows facing the grass, the hills sloping down toward the room. Their drapes opened and closed like stage curtains, revealing performances on the hillside. I pulled back the drapes on one window and saw a choir of seven singing ladies in long green, purple and red robes. They sang this song, which sounded in my ears as I woke: http://www.youtube.com/watch?v=wlrOe0CTCXE
 ...
No great distance may prove assistance
from my mind your love to move -

-`My heart is with you altogether
Though I live not where I love.`                 
... 
In the second half of the dream, still in Britain, I was married to my `mother`, who'd inexplicably turned into a 2-meter tall German blonde with wide hips and thighs. We continued lodging in the theatre-room hotel. Our room had a see-through glass wall with German tourists piled onto a sofa on the other side of it. Many of them were students. Wandering the adjacent campus, I found a flyer-handout (termed `flandout`) detailing how to help Germans missing their mobiles. It instructed them to phone one of four telephone numbers written in huge characters on a uni building. I carefully copied down the numbers to my `flandout` just as a German boy, phone-less and forlorn, approached me for help. I proudly and compassionately handed him the info.

Thursday, 13 December 2012

Wineland is Our Land

Just woke from a dream that I was living in a high-rise co-op, almost like a hotel but filled with co-oppy sorts. I was visiting a girl in her room, set on a very long corridor with a dozen other apartments. Through talking with her, I disturbed this guy living catty-corner. He came out, stood stock still, started stamping his feet, and slowly turned red. He worked himself into this ridiculously passive-aggressive state in which he confessed, ‘Your voices are bothering me.’ A good friend of mine, about four rooms down, popped his head into the walkway then shuffled out, wondering what the chat was about. Ignoring whiny guy, I kicked over the latter’s cup on the floor and enunciated to him, ‘Are you always this un-assertive? Do you always struggle to tell others what is on your mind?’ Then my friend and I went into his room for some converse and he brought out a handful of seeds of variegated colours – grapeseeds! We discussed how everyone now had to live and reside according to where different strands of grapes could be grown. Wine-grapes formed a foundation for a large sector of the economy now. Did my wine-worshipping ways blow up into the general populace? Tragically, the darkest varieties of grapes could no longer be cultivated, as their seeds & sires had been forever lost due to climate change, and the new environment had restricted the kind of earth & bedrock on which grapes could give a yield. This in turn was controlling the available units of human habitation and where one might legally reside. My friend had strategically planned his housing accordingly, saying he was tired of getting shafted in other co-ops. He gave a long, intelligently delivered, but mostly contradictory explanation of this! He often gifts me with wine when I visit, but alas in the dream we never got that far.

Tuesday, 25 October 2011

Slacktrack

Slacktrack


Slowly
stalling,
neigh calling,
horse-sighing
nay.

Stallion heaving
breast-swollen breath.
Hot throat, clammy neck,
hoarse.

Sinews welter,
withers twitch
with weather sweat
on lather neck.

Dimlight dawn fondles
his fetlocks,
wet-clung with frost,
wreathed in white dew,
snowhair damp on hazel-locks.

Muzzle heat,
Nostril mist,
he missed the pounding herd
on horse-mate steppe.
Now footcuffed,
he coughs.

Sacked,
he bows,
sag-eared.

I prick my ears, pry my eyes,
feel stung
on tip of tongue
stuck to my roof
of horse-mouth,
wracked by words
wrought on wind,
spell-written,
twisted from bit,
wrung from bridle.

I trace his pace
with racing step,
with sudden fall,
braked.

Sigh-bitten,
known in his nose,
he passes by my sky-window -
my fleeting car riding by.
I stare out
at star-lit mane,
hushed
by his faltered rush.

Stagger foot.

Slow from fold,
slow bridle gate.
Bridal gait sloth,
now life-cut.
No mate.

He knew by their walk it led away,
He knew by their stealth, they stole him.
Stolen from stall, slackened slow,
His hoof-fall fell quiet.
He smelt on their hands the sweat of a fall,
He felt on the wind the breath of a stop,
He heard the train down a life-long rail,
on the tracks of unknown days,
the way he wondered why clop.

He nosed the rime-sighs of night
under heft of heavy riders.
He reared at their whispers,
at tones unknown.
Their hush-mumbles rang
in his marrow and bone.

Firesky smouldered
on eaves of wood
in the beams of dawn,
on edges drawn
in the margins of night.
He tracked the chart of days
on the footprint folds
where he danced
a horse trance,
stepped a last trot,
as lovers in Llanfihangel
careered and pranced
in red-fire hall
in the late dew
of a late Fall.                                

Nathan Paul Hillman, 24/25 October 2011

Monday, 17 October 2011

COSMOGRAPH: The Alpenaxis

                I changed trains along the Rhine where it elbowed away from France along the north border of a weird country. I was next told to catch what people called the Gleitenbahn, the Glide Rail, all the way to The Academy, a long arm of a new UK university system. As a new non-British initiate, I was requried to matriculate upfront with my passport.
                 I walked dutifully down a long, sterile corridor – you know, the kind in airports that would hypnotise you or turn you into a Zenner if you weren’t so stressed about making your plane. By the time I reached the end of the wing, I was forced to walk through a narrow gap of opaque, bullet-proof dividers until I reached a British official’s desk. Each officer was dressed in dark blue – almost black like a bruise.  We did an heroic exchange of paperwork and I came away with an ornate visa stamped in my passport. The stamp was shaped like an octagon on an axis.
                When I exited into the night air, I craned my neck to see the tops of fir trees. Their rows blinded my vision – I reeled back and flung back my head, trying to see their tops. They were so blue-black they were schwarrrz. Yes, schwarrrz, the way a German lecturer once pronounced the word when he was describing the Black Forest. The trees hemmed in the Academy Campus, blocking my view.
                Then I looked south. I saw one silver top, a sharp peak. It began to spin on an axis. I stepped through the trees and into the high, black air. The stars glinted near my fingers. As if I’d the eyes of a satellite camera, I saw pinprick lights over a land of pinnacles. The land turned like a ragged wheel. It ran spinning up its own axis, then spun back down, then stood still. The national borders gleamed beneath me like a puzzle frame made of lazer, making the shape of one helluva cookie – Helvetia.
                She stood there still under the midnight, a gleam of icy lake and mercury mountains. Her land rolled out beneath me, then grew bigger and bigger until my feet stood firm. I bent over, fingered the groove of a valley, massaged a mountain peak, trolled my fingernails on the bottom of an icy mere. I crouched down to dip my hand in the southwest depths of the Bodensee, the Bottom Sea – Lake Constance. Then I sat down inside a stone amphitheatre as wide as the nation. Three sat in the audience. One, an Alemannian, got up and walked over to me. He spoke Switzer, High Alemannic – no French, no Italian, no Rhaeto-Romance.
                ‘Don’t you need a Bierhalle? Turn around.’
                 I obediently turned my back and saw a steep-gabled lodge of wood, high as a mountain, built on a plateau of sheer rock. A spire of mountain, like a conical helmet, spiked upwards from the top of the lodge. I strode to the west flank and stepped onto the plateau – one step. I stood hundreds of feet above. I gladly gripped the weight of the door. It was as thick as the length of my arm. Made of cherry maybe? I was possessed with a desire for red – red wood, red leather, red ale, red flesh, red faces.  I clopped over the planked floor.  My feet sounded like hooves. My face beamed. I looked at my hand – it was ruddy in the red light. The guests were fiery, but no one howled or bellowed. Instead, they droned in deep voices like instruments planted in the roots of the Beer Hall. They whispered like Finns in a sauna. They sang. Not like hoarse-skreaking sportsmen, or lung-belting soldiers:  They sang like wolves on the tundra.
                They weren’t quite Swiss – they were High Bavarians of the Silvretta Alps, skirting the interzone between Austria and Switzerland. Their hall was made wholly of wood and stone. They sat on benches, on tables, in seat-niches carven into the walls. The hall’s central axis was a black mountain, also shaped and shelved, filled with beakers, goblets, tankards, truncheons, flagons. Along the outer walls sat Gesellen – ‘hall companions’ – splayed over benches draped with deerhides. They sat in chairs built into recesses inside the walls, with seat-backs shaped like boars, wolves and stags. Whenever my eyes met theirs, the Gesellen would lean their upper bodies sidelong off their seats, crane their heads sideways, nod, shout my health, then sit down hard as they dashed their tankards on the wood.
                ‘Prost! I nodded, holding their gaze longer than the Anglo-American world allowed. I sat down in the human sway of the benches. The voices rose and fell like rivers, babbling to a trickle, at last to a single draught. The banter was poured straight down, fearless, straight up.
                My bench-fellow leaned his head toward mine. ‘What do you think, mein Bube? Want to join our firehood, our heartwood, our hot souls? Want to be raked over good hot coals?’
                I opened my passport and fingered my student visa. The Bavarian Geselle looked at me with wry amusement:
                ‘Ach, Akademie, Akademos - Of a Silent Place. Used to mean that, you know that. Your island Academy's silent - buckets of beer but no Biergärten. There's drink but no fellowship. You get drivel from the betters drunken by the lowers, the drunken lowers. There’s always an offish druid leering over his loud crowd. Silence above. Bellowers below. It's the loudness of ... Loud Silence. They scream about everything but each other. They know everything but each other.’
                At last I got up to leave. One of my companions stood up, set a weighty hand on my right shoulder, looked up the mountain and spoke out in strange Bavarian: ‘Du, hiar schraibmma Komerodschoft med gross’m K.’  Here we spell Kameradschaft with a Big K. A great big K.
                I went downstairs, beneath Beer Hall and deep inside Beer Hall Mountain. I walked into a living room parlour. A colossal Kachelofen, a tile stove, rose from ground to roof and spanned the height and bredth of a wall. Doors of cast iron opened at its mouth – the rest was tawny tile, smooth as marble. Its perimeters formed benches and seats. I sat down on the hot tiles to warm my middles. I peered through a tiny passage and saw a wide-hipped woman boiling water. She turned and stared at me where I sat near her kitchen. I fidgeted, and asked, ‘Entschuldigen Sie mir bitte, darf ich hier rein? Pardon me, ma’am, may I come in?’
                ‘Du darfst, You’re allowed.’

-composed by Nathan Paul Hillman, 17 October 2011 & 14 April 2011

Monday, 10 October 2011

Slitherworm

       I’m walking like a giant, a hill at a step. I step over valleys. Do not let me wound my bare feet on the biting twigs of trees. The plants slither far below. They crawl beneath my foot-fingers. The valleys grow wide – I can’t step over them. I touch down low the tips of my toes, then jerk my feet up, nervously, draw them up to the hill. I hunker on high ground, reclining.

     ‘Glass of wine? Reddest we have.’

      ‘Thank you’, says I. ‘If I spill, it won’t spoil your divan. It’s a pretty scarlet.’

     ‘Do you like my hill? It’s a blood-red couch above swarming holes below. Here we avoid infection by means of comfort. We fight cold with warmth, while you fight cold with cold.’

     ‘I’ve been stepping on snakes.’

     ‘They can’t hurt you if you learn the right walk. Walk on them right and they can’t bite. They can’t enter your body if you don’t commit your weight. Don’t get too carried away with gravity. If you dismiss gravity, that’s when you get carried away, and lifted up.’

     I look way down, down and nether-down, beneath the nest of couches on high to the nest of worms below. All my friends and family sit flushed and happy around me, cradled in the crook of the hill, the nook of their nest on high.

     Down below the earth moves in a filigree of flesh. The ground slithers, purple, green and blue. The valleys heave with worms. I step down, looking at greener hills further off and further north. Egypt – land of bread and sweets and soft lords – you’re no home to me.

     I’ve a long way to walk. But will I get to keep my legs? I use them - I wade into the river. It's muddy and brown, opening into ponds between rivers. Rivers and ponds. Slither.

     'Is it safe to wade, wade and drink?'

     'Don't fret, have at. Don't worry at the waters that go under. The underwaters will keep you. Don't defile our Nile!'

     I look into the water and see the depths slither. They teem with sinewy serpentine forms with heads like fanged puff adders, bodies like eels, mouths like lamprey mouths, bulbous eyes like toad eyes. I probe one with a long knobby branch - it sticks to the stick. I pull upward - the thing coils out of water, stuck to my rod, to my finger-tree. I recoil. ‘Those things are vicious’, says my uncle. ‘They’re called Fishstrikers and they’re killing all the fish.’ My father, trying to be an optimist, says in a calm, curious voice: ‘But have you seen their eyes? They’ve beautiful eyes. Beautiful eyes.’

     I walk on. I step to the music of the charmer - right on top of the worms. Worms in the bottoms of the hollows.

     I see a distant friend in the distance. He's far, closing in. He charges me, remarking, ‘If you want to avoid infection, all you need to do is get a pendulating lilting motion going between the rises and the dips. See here, watch me. Do as I do.’ And my friend goes off bounding, singing as he lopes, lunging up, falling back, care-free on his free feet. ‘Don’t get attached – get lost in the movement. Do you think I got snakes? I aint got a wormy beast in me.’

     I give it a try. I go on a long journey, up and down. Up and down. Down and up.

     I look at the veins in my forearm, the rivers of my flesh. I see blue under the membrane. Not the blue sky above – but the blue sky below. Something like a thousand tiny ribbons is moving through my blood, my blue blood. Larvae. Snake babies, sneaking into my Innermost In. Inn-vading the Inn-keeper. Won’t the worms grow until they burst the veins?

     The Egyptian princess sits on her divan, a toad for the nematodes. She’s afflicted by little dragons inside her. I hear her cry – ‘I walked too long in the valleys, tried too long to reach the hills. Now snakes are crawling out of my legs. My rotting legs. So amputated, how will I walk to Paradise?’

~~~Written by Nathan Hillman



My Influences in Fiction:

Kafka
Novalis
Sigmund Freud
George MacDonald
J.R.R. Tolkien
David Lindsay (Voyage to Arcturus)
William Morris (Well at the World’s End and The Roots of the Mountains)
G.K. Chesterton (Manalive)
James Joyce
Snorri Sturluson (Snorra Edda)
Elder Edda, Beowulf, Muspilli, Heliand, Anglo-Saxon & Old High German narrative poetry, Scots-English ballads, Danish & Swedish ballads, northern European folksong
Irish, Native American, Uralian, and Siberian mythology & narrative
Old and New Testaments
Tarjei Vesaas
Sigrid Undset
Knut Hamsun (especially Pan, Mysterier, Sult, Landstrykere)
E. A. Wyke-Smith

~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~~


QUOTATIONS OF SOURCES BEHIND CREATIVE WRITING EXCERPT



Upon Corpse Strand, far from the sun,
she saw a hall – its doors open North;
Its roof shafts dripped with venom drops –
That hall’s wound with spines of serpents.
(Völuspá, ‘The Prophecy of the Seeress’, The Elder Edda, Strophe 38. Cōdex Rēgius, Iceland, 1270s)


‘Wrap the emerging end of the worm around a stick and slowly pull it out.’
(Ebers Papyrus, 1550 BC)



WORD LORE

Dracunculiasis: Latin, ‘affliction with little dragons’

Other names: Dracunculosis, Dracontiasis, Guinea worm infection, Medina worm, Serpent worm, Dragon worm, Pharaoh worm, Avicenna worm



DREAMS

My whole life, I’ve had dreams of snakes and worms that bite or burrow. The first dream I ever remember, at age 4 or 5, featured our garden shrub turning into worm-limbs with straining snake-heads like cobras.



GLIMPSE OF AN HISTORICAL WOMAN INFILTRATED BY ‘LITTLE DRAGONS’:

The Manchester Mummy Project (1980s – present): In the mid 1980s, a calcified male Guinea worm (Dracunculus) was found in the abdominal cavity of a royal teenage mummy girl (1000s BC, New Kingdom, Egypt). Her lower legs – the usual exit point of the female worm – had been amputated. It’s not easy to wind out the worm without breaking its spaghetti body – and there may be dozens more to grow and writhe out through the skin. The exit holes lead to gangrene & ulceration over time.




SOURCES


Clinical Microbiology Reviews. American Society for Microbiology: Dracunculiasis (Guinea Worm Disease) and the Eradication Initiative, April 2002. (http://cmr.asm.org/cgi/content/full/15/2/223#Morphology, 2011)

‘Dracontiasis in Antiquity’, P. B. Adamson. Medical History, 32: 204-209, 1988. (http://www.ncbi.nlm.nih.gov/pmc/articles/PMC1139858/pdf/medhist00063-0093.pdf )

The Ebers Papyrus: A New English Translation, Commentaries, and Glossaries. Paul Ghalioungui. (Cairo: Academy of Scientific Research and Technology, 1987). (Quotation from http://en.wikipedia.org/wiki/Ebers_Papyrus, 15 July 2011)

Edda. Die Lieder des Codex Regius nebst verwandten Denkmälern. Gustav Neckel, ed. by Hans Kuhn (Carl Winter, Heidelberg: 1936, 1962, 1983).

The Imaging of Tropical Diseases: Guinea Worm Infection (Dracunculiasis). (http://www.isradiology.org/tropical_deseases/tmcr/chapter27/intro.htm)

Numbers 21:6. English Standard Version

Under Wraps: Rosalie David in Conversation. Interviewed 6 February 2001. A Publication of the Archaeological Institute of America. (http://www.archaeology.org/online/features/mummies/ , 2011)

Sunday, 21 August 2011

The Table of the Tree

Dream, Aug 15, 2011: I climbed the flanking planks of the Great White Porch in Michigan(Patterson Rd) and reached a beech, wrapping my leglimbs around treelimbs until I was in the tree-crown along the roof and porch-eaves. Below me stood a table lit by bough-swung lamps hung from the tree, its trunk rippling up the middle of the porch floors. It twined and wound round the laden table as I scaled down its branches to sit with family over a heartening meal.

Monday, 27 June 2011

Wolf Alive

Dream dreamt on Summer Solstice, 2011:

While out walking, I saw a huge, black, starving wolf bound to a steel cable in a garden. Vipers and cobras had been set out, guarding the length of the wolf's reach, to hem him in and cow his spirit. I brought the pining w(olf)lupus food and water day by day, using sticks and rubber snakes to push and bully the snakes into the tyrant sham-owner's house. Day after day, the wolf pawed and nosed me when I came back, until one day he laid his heavy feet on my chest while I rested next to his warm body. We lay weary side by side, lonely for touch, trying to regain our sapped strength. From this point we could not be separated. At long last, finally daring, I took off the wolf's chains and freed him from the line. As soon as he was free, a red collar of silk appeared around the black-fur neck. After a murmured exchange, I pulled myself onto his back and rode him like a horse to the house door.

Friday, 8 April 2011

Claustrogyny

Claustrogyny


In Two-thousand-three,
early in Spring,
I had a dream.
I guested at the house
of a hoary woman.
My closest friends followed me there.
She lodged us in a loft,
high-vaulted, windowless.
In the dark above, the rafters ranged unseen;
the floor planks ran under cover of dark.
It smelt of hay and musty dust.
Dry as a bone, but wet on the ends.
Wide wooden columns reached up to the vault, lost in shadow.
Surroundng each pillar, and piled in each corner,
lay half discernable urns and bins,
wooden chests, stacks of hair,
matted and manged.

Thick stuck under heavy covers, she bedded us down on the floor.
Quick as a spider, the spindly crone snuffed out the lights.
She spun her threads.
Wire-wool blankets she spread on the walls. The air hung stuck on the pricks of stubble.
Her silkworm body slipped away in a crack; her white withers sank away in the black.
Gone, O Yes.
Instead of sleep, I began to snoop, what fun.
I ransacked the boxes and bins, cramming fat sacks with handfuls of grime.
With my hands I sliced the viscous air, squeezing the flesh of dust.
I stuffed the sacks as fast as I could, bulging with bird-bones and clodded dung.

With a twist of anger, she reeled around.
Her hands fell like flails, gripping the sacks, dumping the dust and thrashing the chaff.
She vanished with a whish and vampish whisk.
Then sudden return.
Four steps she took, four deadfalling notes descending.
Dank dour power.
With one fast push, she packed a pillow flush in the door.

I crouched and creeped, slunk over friends asleep in the dark.
I heard long pauses between their heaves, their slow lungs lifting their coma chests.
I fingered and felt the flow of the walls, their nooks and nicks, the ungrovelled grooves.
I groped onto hinges, long-line creases, the unseen frame of a door.
In a fit of defiance, I pushed on the wood.
The wall swung open,
the swinging doors of a mammoth mow.
I yanked at the bins, the boxes and bones.
I hurled in haste, heaving in handfuls.
Lifted tables and dressers, desks and chairs - crashed them on tarmac below.
They smacked and splintered far down hard. The wind blew eddies in the sunlit grit.

With troll-steps of wroth, she strode straight back.
My friends rubbed their eyes in the blinding light.
Get out! I bellowed like a billow of wind.
Whirring, a helicopter hovered at the doors. Ropeladders fell for my wobbly friends.
I stayed back, stalking.
In all her height she stood still, hard by a pillar.
I walked behind her, wrapped her,
folded her flanks,
fondled her silken belly,
blew into her ear.
Her head sank back, her ice-eyes shut.
Her anger went out in a pang of pain,
her silkwarm skin turned to snow and stone.

Tuesday, 8 February 2011

House of Nations

Dreamt today [8 January 2011] I climbed thru hatches in a tower, multi-level, archival, housing an ongoing history of all the world’s peoples. Spent hours in the 'Jews Room' with Dad, Mom & Rachel, as Sara peeked over from Arab Corridor. A Christian Jew (folkdancer I know) spoke of Jewish history, while friend Alan-Hugo exchanged good legs with a crippled Jew, before I spiraled north up a stairway into Britain.

Feeling along the floorboards, I found a ribbon-wrapped letter, sealed with a red heart—signed from me. The lady recipient had saved it from centuries ago, came & kissed me for hours; the same thing happened in a special Scottish ‘wing’- the young girl said Robin (Burns) had died & left her along the way. Saying goodbye, my letter sealed, I walked into a land of mountains & Aryan tribes, where an Indus-Iranian woman made my wedding with invites from Carpathians to Himalayas. The entire dream played to the tune & faint whisper of Robert Burns’ song, _The Wren’s Nest_ :

The Robin to the Wren’s nest
Cam keekin’ in, cam keekin’ in;
O weel’s me on your auld pow,
Wad ye be in, wad ye be in?
Thou’s ne’er get leave to lie without,
And I within, and I within,
Sae lang’s I hae an auld clout
To rowe ye in, to rowe ye in.

{Translation}
The Robin to the Wren's nest
Came peekin in, came peekin in;
I'm blessed by your old noggin,
You want inside? You want inside?
You'll never get leave to lie outside,
While I inside, while I inside --
So long's I have an old cloth
To swaddle you in, to swaddle you in

The tail end of the dream featured Alan-Hugo, now one foot tall, hobbling on the crippled legs he'd willingly taken off the Jew, a man named Simon. Alan, barely able to walk, was his old, bold, joking self. Simon suddenly appeared, overjoyed to see him. The two reclined along a low table, laughing, telling stories, both so happy, their eyes went red with tears. I sat and watched them both, amazed, my face wet. Neither one remembered what deformity or pain meant.

Water Dreams IV and V

Water Dream IV, Monona Swamp Zona

On January 29th, 2011, I dreamt I descended a steep park pathway that used to be Monona Path next to the newish Convention Center. It was wet dirt, slowly slicking with rising lakemud. The path led to a green bottom of shimmery ooze, wet grass, and sinking algae. The poorest people in Madison, many of Hispanic, African or south Asian heritage, were playing and frolicking in the mud, sometimes getting stuck or diving under, some laughing, some looking worried, and a few of them pulling themselves onto the wet grass for football kick or toss in the park. Many people were swimming, nay crawling, far out inside the lake itself, which swoll with waves of mud broken by rippling rivers of water on top of the brown. When I myself got to this lakeshore park, I suddenly sank to my hips, then swim-crawled, clambered toward higher ground to the North.

Water Dream V, The Wave-Swamped Clique-Isles of Mendota

Further North was Lake Mendota. It looked like a colossal indoor swimming pool. The embankments were made of steel, glass and cement. No trees or grass grew along the shores. It had a raw beauty, if only for its sheer expanse of water. The far north banks could vaguely be sighted, where people were sitting, dangling their feet into the lake as if it were a manmade basin. No one seemed to have any cars or boats close to the water. They were all afoot, or already out on the lake. I stood on the Union side (south), had a full view of all ends of the water. I walked along this waterfront westward, seeing islands floating like rafts, rocking on the waves. Hordes of people clustered on each island. Some isles rocked, swayed but were anchored, a little wave-washed. Others freefloated across the water, sometimes partially capsizing or flooding.

I swam out. Pulled my body up onto one island raft after another, but found each one too crowded, and the people only stared into nothingness, or looked down, or yelled into the air at no one and no thing in particular. Every time I came to a water-island, I jumped off back to sea, seeing I didn't fit on or in. On some isle-rafts stood exclusively students. Other rafts had hipsters or geeks or other (for me) cosmetic, xenophobic, ephemeral cliques which nonetheless strictly floated on one bit of rock or another and only on that one. Shorewood Village had the grandest isle, but it was ringed round with a high-voltage fence! I went to the far west shore then, saw this huge craggy thing out in the water, like a mountain rising up from the shore so steep you couldn't hope to climb it. The top looked like a glass-like obsidian top to topple off. I swam round to its lower access point, climbed on, then began slipping down toward the water no matter which end of it I walked on. I finally made a leap for shore, left Lake Anti-Social and Lake Mud, left BOTH behind.

Monday, 24 January 2011

Water Dreams I, II and III


Nearly every dream I've dreamt in the past forty days has featured water.

I am still in the process of writing out this dream sequence and will add in Water Dream III over the course of the next few days.

Water Dream I: The Brackish Lake and the Tongue-Protruders
In late December of 2010, I dreamt I was trying to rehouse myself in a Madison co-op and that I'd decided to membership my dad along with me. He came all the way from Michigan to have a look. He and I stood on one side of a brackish summer-hot lake, a weedier, fishier version of Lake Mendota in the summer than even that lake often is. We gazed off a dock and looked to an opposite shore where a co-op house stood. I decided to try swimming in the water, not so much decided as felt lured and lulled in by the currents. The brackish lake began to move and lurch, ebb and flow, swell up toward me, then recede with a cloud of weed-hair and slimy fish copying the currents. I dove in and felt my body channeled forward, then ripple back as a mop-head of lake life surged between my outstretched hairs, fingers and feet. I felt the long bodies of fish slip between my hands and fingers, then shot to the surface with a long catch in my left hand. I brandished the fish like a king, riding with it to shore, the opposite shore, waving it at my incomprehending fellows before arcing it back into the air to fall adown back in the lake. Dad resurfaced too right at the co-op, perhaps having driven around in his car. We both membershipped there, enjoying the sights along the pier, trying to make conversation and find suitable food, before we were informed we ought to stay after supper for the 'Buddhist Meditation Workshop'. What ruined the experience for me (I dared not look at Dad) was how the residents kept sitting in fixed yoga positions while sticking out their tongues. In fact, some of them looked like statues, immovable, until you walked by a yoga human - then out came the tongue at you. It was as if one could not ought not take their world seriously, nor would they, and we left.

Water Dream II : The Land of the Whole, the Barn of Netherlandic Bulls, the Anglo-Saxon-Frisian Swim Retinue, the Celtic Queen and the River of Copper Clay, and the Swedish Bards

This compound dream I dreamt on the 13th of January in 2011.

The Land of the Whole
I left my Wisconsin home on a permanent holiday in a land to the East and the Dawn, and I decided to walk the distance. My father's whole clan was there, and we met in the early 19th century house of my father's parents, once located in central Ohio. But as I walked, I was no longer in Ohio, but in Michigan; not in Michigan, but in Britain; not in Britain, but in Ireland; not in any one of them, but in all of them at once. Boundaries. Boundaries overstepped, passed over, gone and intermerged. It wasn't earth, it wasn't heaven, it was earth-heaven, boundless. Rivers flowed to outer oceans leading to outer lands to outseas to outlands, to waterpaths to further lands, and nought wheeled back to the beginning, but each took up their old theme, discarding nothing of the past, embracing all that was to come. There was no cliché, all was rooted but unconventional, and not near post-Modern or surreal (unfitting word for reality) in the least. Paradise had reclaimed the stretches of that ground - and I was there. Suddenly, I was walking down a reborn version of Patterson, Norris and Bowens Mills (?) roads, but the colours seemed more essential and primary, like a painting, but real not representational, like walking inside the animated (literally 'enlivened') film of Watership Down, or C. S. Lewis' vision of Herefordshire in the painting which hung in his childhood nursery (see Brian Sibley's Shadowlands: The True Story of C. S. Lewis and Joy Davidman.) Light shone in one even gold, not sourced in one horizon or sun, but was one whole-world radiance, soft and golden. Each tree, stone, house or fence was more substantive, less permeable, less divisible, less mutable. The wind couldn't grab the leaves when it brushed through, nor did it barely tickle my ears, but sang songs as it blew instead. My footfalls were not self-protective, nor was anything self-preoccupied, for each thing seemed wise enough to know how to shun self-destruction. Pain and discomfort, those life-preserving cues, weren't needed. No hurt was given or exchanged, and the heart of earth's folly - 'doing only what one wants and never getting what one wants' had no place. One wouldn't think to breathe or hold one's breath except out of awe - nothing was out of need. I was holding my breath, I think, and would not have remembered for how long. The sequences of life weren't anticipation for nourishment or comfort, or fear of pain, but rather an ongoing sense of being lost in wonder at the present moment, a wonder that grew with each step, tracing pathways whose paces never recircled or recycled. Newness knew no end or boundary, and soon I was weeping, as if tears fueled my muscles and energy and motivation like a precious oil. All existed for existence's sake. I was sundered from nothing, soul and body were of one matter, and all of my distinct identity and person remained intact, as did that of every tree and stone.

I've given you a description of it, not of the movement and flow of the experience itself - and that was the experience I had when I dreamt it, one I do not know how to write down. I've made a beginning, a description, do not know how further to convince you of the reality of that vision, for no one who has not walked that land, or seen at least its far-off dim boundaries, the vast rumour of things that cannot be but last, will be convinced it is a real life-on-earth rather than a state of mind. Inside the mind, the cut-off mind, distrustful of the unchartable real, the possessor (victim) is trapped. There where I lived for a time while asleep, you cannot be trapped. You can never more be trapped, jailed inside a single thought derived from an infinite regression of cause-effect mindless processes, because that world never was. Regressive infinity is the Modern's never-never-land, an infinite personless material past that never reaches the present nor deigns to brave the future. That jailed world never was. Never was it anywhere, except in confinement and delusional despair, the only surreal thing one may sip. The experience I had matches in mood and reference point the latter chapters of The Voyage of the Dawn Treader when Reepicheep sees the Beginning of the End of the World, walks the Wonders of the Last Sea, passes to the Very End of the World, the least thing of anything that ever was which was like an End of anything at all.

The Barn of Netherlandic Bulls
Dreams are as nuanced, boundaried and multi-leveled as real life: I came out of the Paradise sequence with my own two feet still planted in the immature soil of my waking earth. I walked past the boundaries, liminal though they may be, of that Eden’s land, and came to a countryside of broad green pastures, grown and fat for any cattle, udderswollen with grassbitten milk, secretion created in springseeded excrescences. A barn stood wide and high before me, bloodred and whitestained with a starspangled hexagram. Dutch cattle swelled its haychamber rooved under heavy woodbeams, walled in timber-pillared walls, heaven-reaching, earthbound, woodmade. Trees hewn to house food and life and milk, containing peril of horns and spearsteers. I saw them heave their huge necks, muscles of mating anger, forever anger-lusting, rearing at me from behind the pillars. I passed between the Hexagram Barn and a fence-fold, cattle enfolded on both sides, as I walked over the grass, green with grasscream milk not yet in the udders. And fear pushed out my chest as I breathed for dear life. I paused outside of paradise as a young bull, sharphorned, came headbutting and mate-eager toward his masculate opponent, a Nathan fresh from Eden. He made a deep bow with his horns, shot his power into rippled withers, and heaved the horns toward my crotch as he ran at me, enraged by Dutch blood and Dutch milk. His butting run met my fate-bound unfoundering leap, as I fled my most feared animal the bullhorned hungry one, and swung my body up onto the high fence beam of the fold, escaping his bloodspears, and climbed in desperation along the fence above more bulls below me in the humble corral in which they were penned and waiting. A flock of bulls, ladyless, were horny there, after the most literal fashion, and I shouldershot my weight by force of hip and arm over to a chickenwire shed amidmost the fold. Swine were held within, and I climbed overtop them, looking out over the mud and fence range in which the hooved cattle scratched the ground. Then a sudden change: a retinue of strawheaded ‘Dutch’ farmhands poured into the fold, driving the coward cattle in all directions, and looked up at me. Their leader, a wise wizened Netherlandic farmer, bade me come down and serve him and his farm, join his band of sunworkers and meadswillers. I came down, unafraid of the cattle, as the men had overwhelmed the animals with their own presence. He told me to butt toward the bulls, go at them with my own 'horns', never run away, and they would draw back in their fear before they could incite my own. I got in the queue, last of all, intent to follow them and learn from them, as the head farmer led us out into the fields for the haymaking. Foaming cider, honeycakes, apples, rosemary salad, rabbit pasties and bluejay pies with oat and barleymeal filled our gullets at noon in noonsun as we swinked and sweated hard in sunbliss, napping at high noon, joined to lassies with fingers allknowing the cow-udders and allkeeping the lads in warm company. As I worked on, I saw that my ‘Dutchmen’ of Michigan were Anglo-Frisian-Saxons, the early Germanic takers of east Britannia, that I formed their hindmost retinue and must yet be proved and tested. We drove and fed and milked our cattle along the sedge-rich rivers of lowland England, until we left off cattle driving and started on water sports, unbanking our boats into the slow broad rivers of low Angleland and saw the riverbottoms bleed copperred as we rowed our way over their course to Welshland. This border with fallen Druids mingled the Anglish and Welsh roots, and our riversports leader, a woman, approached her Celto-English comitatus, her Angles, as their leader in the sport of bodily daring.

The Anglo-Saxon-Frisian Swim Retinue, the Celtic Queen and the River of Copper Clay
She had full but short dark hair that came to the round tops of her white shoulders, and her skin glowed applered on her chalk cheeks, her eyes deepset under dark brows. All fell silent and action-eager at her words, as she gestured us to look upon the copper clay banks of a fast river, shallow but rapid. We slid off the claycleaving banks into the waters, and followed her wherever she wished us to go. I’d joined the Anglo-Frisian-Saxon swim team, and there was no turning back, nor would we ever again be Lowlanders, whether Dutch or Danish, of the lost continent to the east under our new Welsh and foreign guide. I quickly made friends of my comitatus, who were forthright in their trust and speech, but loved pictures and riddles to drive a point. They bound their lives under oath with my own, had no fear of death or life, whether plucking apples for drink fit for British queens, fermenting honeycomb drippings for Offa, or lying lifeless pierced beyond healing by hornspeared bulls. Our boatleader told us we would spend the next two days skin-to-water, out of boat, afloat, aswim or under water, would come through or be saved by our mates, would live or die in the attempt. She says it is our choice to save our friends from drowning or cramping, that truest friends will win the day. Two days in water? I think to myself. My skin, anyone’s skin, will fall off, I tell myself, and I sadly climb the river banks, too ashamed to look back, and walk away from my company. “I don’t think I can straight swim for more than an hour” I tell myself. When I was on the margins of their sight, I stopped and stood still, then turned back to face them, filled with wonder and sadness. “No, I will go back”, I tell myself. I walk back to them, catching the Saxon second in command, a snooty man who helps our Welsh lady teach us. I say to him I wish to rejoin my retinue, devote my life to them, come life or death. This Saxon is dressed like a Modern man, stylish and trendy, seems to care nothing for the people or ways he heads up. He jerks his head toward her, signing to me to take up my cause with her. I do so, and she gives a subtle smile, looks away, calls my name, says I’m to stand backmost of the men, ready to leap into water. It is at this moment that one of my comrades whispers to me: “It’s not two days straight submerged in water without relief – it’s two days’ worth of water ordeals, in and out of water!” “Oh!” I think to myself, somewhat relieved. The first ordeal is one of speed and vigour, and we are told to swim against the current from a point downstream to a cliffbordered shoreline upstream. One by one, my men make the swim, swimming as swift as their bodies will push them. Those waiting on the shore time the swimmers by tapping the seconds with their bare feet. When it’s my turn, I go crashing against the current like a seal, get to the shore cheered on by my friends, out of breath, who are yelling and gasping my name saying funny things like “You’re fast! You’re one quick dude!”

The Swedish Bards
At this point, we take a brief break from our water tests to soak in entertainment from our ancestors, a small band of elderly Swedish singers and strummers who make music for us, rather after the fashion of the music and poetry chanted by Hróðgar’s Danes or Swedish guests in his Baltic island hall when the Angles and Northmen exchanged peacewives and peacetales in their conflict over land. They single me out as someone who can communicate with these archaic bards, and send me to their booths and smörgåsbords to express the devotion and heartfelt attention from the Angles, Frisians, Saxons and Jutes. I notice that the Swedish servers are decked in modern dress, serving paté, potato cakes, cognac, creamed herring and rye crackers! Many of them are elderly, saying they’d abandoned their depressing if stylish nursing homes for the chance to utter legend and music for their southern siblings. I try speaking Swedish to them for awhile, and they show me a musical manuscript from which they are about to sing. It is quite old, if anachronistic, with origins in the 16th century. As the nyckelharpa strums, I wake up.


Water Dream III:
 

The Waterfall that Fell out of Heaven
On the 20th of January, 2011, I dreamt I picked my path toward my sister's Westcoast home, having abandoned my parents' cartrip to the same destination. Mom and Dad came by car, and I felt my way along the stones of the Pacific Northwest Coast, with a view to open ocean and the cliff-falling shore. I saw a tall house in the distance, heavily supported with pillars and vertical beams, fair with a porch facing the open sea. I and my parents weren't just visiting, but moving in with my sister (Rachel), having lost houses or lands in our own homely parts of the country. I found the footjourney very slippery, and soon was crawling on hands and feet, pulling myself up by handgripped stone, slipslidey with green moss. I zigzagged, often had to trek athwart my course along mossy ridges, which fell too steeply to descend until a path could be found. I at long last came to a cave open on two ends, the sealight pouring through from the opposite side, and I chose it as the quickest surest way to my sister's house. I clutched on for dear life in the ascent to the cave, almost slipping onrushing down several times, and felt my hands near bloody on the sharp white stone forming the insides of the cave. I hoisted my body up inside, and climbed further in, which entailed moving upward as well as inward until I reached the light at the further end. There at its seaward opening the orifice opened downwards, with a descent and view to the sea. I saw Rachel's large house below, and clambered safely down. As I approached, I saw the seas shadowy and turbid, morbid and dark, restless under some nameless stirring. As dusk came on, the washing waves went black until dawn, when a strange twilight greylight grew over the ocean. I looked up to the heaven over the sea, and saw a cataract pelt down onto the entire width of the sea, the whole length of my vision from south to north, the falling of rain from some high cloud to high to see, and the downpour fell so hard it was a great Niagara, tinged with clouded fire on the perimeters, as if a red sun rose behind the occluding waterfall. The rush of waters roared through the distance, and I saw the shores seem to rock and sway under the rising waters surging in a giant sea-tub, a bathtub of all the seas of earth, rising, rising. I was on the porch, ran inside to find my family. The corridors and rooms were swimming in a river, ankle-deep, then rising to my hips by the time I found my mother. She told me we needed to get to the other side of the Central Hallway of this house, then we'd come out into the highest room in the house. I sloshed into this corridor, which to my surprise was shaped like a cylinder, curved on all surfaces, narrow and small, and filling rapidly with water. I swam through the hallway behind my mother as the water came within inches of the roof. She pulled me out and through around the bend into the next room before the water trapped me inside.