Ageless Age with Edge

Ageless Age with Edge
welcomes you twofold
Showing posts with label Modernity's Modes and Toads. Show all posts
Showing posts with label Modernity's Modes and Toads. Show all posts

Wednesday, 28 December 2016

‘I’m a simple guy.’ ‘I’m a simple girl.’ I don’t believe you.

‘I’m a simple guy.’ ‘I’m a simple girl.’ I don’t believe you.

When it comes to 'simplicity,' I agree with others who've said it, that it's treasureable.

Most people don't take pleasure in The Complicated, and that includes complex communication. The weight of reflection is pleasure for the weightlifter. But agony for the levitater. The written word can feel light or may frighten when heavy.
But what is simplicity? What does it mean to say something is simple? Real simplicity means purity of form, undiluted insight, and thorough irreduceableness. It is something hard and beautiful and uncompromising. Simplicity isn't reducing other's reactions to what you or they want: that's commercial prostitution, not communication.

Simplicity and complexity are opposite sides of the same coin. It’s a rare trinket, one only rarely bulging our purses. Perhaps we don’t treasure such riches, and I wonder why.

For most of my countrymen, 'simplicity' means quick fixes, happy echoes, vagueness, tightlippedness, and oversimplification. But there is little value in all that ... except playing avoidant. Could it be that a desire for supposed simplicity is a disguised desire for ‘safety?’ I think such people are in danger, in grave danger of never growing strong, never knowing another human being, never knowing joy.

I think the purest moments lived are nuanced and detailed, distilled into something radiating movement, wholeness, and synergistic form, something as simple as a triangle, circle, spiral or wave....

Interrelatedly, I've noticed that drama-adverse people struggle with the idea that life is a complex and not a simplex. People who 'Don't Do Drama' are always going around creating it. They are irresponsible toward others, cheat themselves of life-training moments, lack experience in dealing with pain, sorrow, force, love and conflict; they are give-it-to-me-now, attention-deficient, tunnelvisioned bundles of anxiety. They flee only what they need most, same as I do.

The escapist demands to be king and queen and ruler of all.

How complex and simple life is, once faced! A terrible beauty.

Sunday, 11 October 2015

Rough-Hewn Quick Explanation of Modernism and Its Connexion to the American Empire

America's problems have a lot to do with the special way it inherited the central machine of Modernity and Empire, within which there are many intensely social (more than material) ills. In fact, the more that social health fails, the easier it becomes to blame this on external, material factors, and to allow the social virus to worsen. The root cause of disease is pervasively ignored, even subconsciously so, to our peril. It is not 'fixable' anyway by any government or economic system - Capitalism is as neutral a force as many others, neither good nor bad. Our own form of Capitalism, given its concomitant union with Empire, monopoly, outcome-obsessive behaviour, and method-focused impersonality, tends to strike throughout a society an aura of ... triviality/banality. As time progresses, the most earnest, deeply held beliefs become trivialised by the rituals of day-to-day existence within this impersonal system. Empires need strong ideals and beliefs and magnetic energy in order to motivate people to continue what is unnatural -- the subversion of all that is Other/Different from themselves. As we grow, that which is Other becomes more and more invisible and indiscernable. Emigration of fresh foreigners is perhaps the singlemost positive thing that has happened and could ever happen to us within this system, but we fatally then mistake our own immigrants for the 'Other'; the two are not the same. We never see that which is Outside. We become micro-fixated, and micro-fixation is the cause of every mental illness, clinically and experimentally. Scientists know that myopia is the one thing that all mental illnesses have in common. This state of myopia is key and core to Modernism, to Empire, and to the U..S.. which inherited those systems. It's not the people's fault per se (we are not worse than other human beings) - but we have inherited and continue to perpetuate something very dangerous. This accumulative decadence within imperialist modernist ideology can be traced back to the dawn of written history (and more recently to the early 1800s) - something deviant, viral and very late in the evolution of Humanity itself and which has culminated in the unsustainable philosophy of Modernism (1820s to the Present), a way of life that works 180 degrees against biology and the innate human drives and wishes. Deep connection to and trust in one's fellow human beings is the central joy-generating aspect of human life (and most mammal life too), and the ability to have/enjoy/sacralize food, sex, physical well-being, long-term continuity of the physical body, to unite institutions with nature, to experience all this within fellowship between humans within Nature as something sacred requires that human civilisation not act against the way the world is actually wired. Most of the less-powerful world has never acted in our deviant way - either in history or in the present time. It is mainly Empires which do, and those systems which follow the philosophy of Modernity.

 America's problems lie in the frailty of its social & interrelational/communal bonds - which on the surface trick people to think all is fine (Americans are upbeat, action-oriented, outgoing with strangers, even in laudable ways, and stress 'positive smiley ambitious' outlook), but none of this equals depth or permanence of trust or relationship, either with strangers, within the family, within a community, or across a very huge, impersonal country, impersonal not because people are 'bad' but because we inherited the core mechanisms of Empire and Modernism. If the Irish or Māori became as powerful and large and impersonal as we are, they would do no better. No human beings no matter how angelic can handle what we've inherited and not botch it up. Modernism is a philosophical movement, which encompasses the whole world, but is centered in America partly 'by accident' - we inherited the British Empire, the last world empire, and that is a multigenerational system in which there is a hyperbolic need for control. The great need to control human life outcomes is one of the primary facets of Modernism, and the more successful control one acquires, the more neurosis, distrust, impersonality and insecurity it brings across all of society since it requires an ever bigger Administrator who can't possibly control everyone/everything, and where that very control leads to the populace's frustration and unfulfillment - a sense of something vital missing from their lives. It is as if they turn to control everything they can except for their own natures, which run rampant and out of control.
 
Many of the attributes [numbered below] of the current over-inflated American empire mirror the same ones in Modernism itself, and each attribute contradicts its own goals to the point that most participants *within* thte system (having no external perspective) are deceived into thinking that each aspect is something GOOD rather than the thing it is - something quite corrosive:

 1.) A belief that the individual trumps the tribal, familial, collective. (On the surface, this is wonderful, and I uphold it. But all it means is that people want to control groups of people based on their whims, dysfunctions, on their commercial interests, and [ideally] convert as many people as possible to their point-of-view. This constantly SUCCEEDS in America and leads to CONFORMITY, mass and intolerant conformity. While all this conformity is going on, the Individual sits and narcissistically claims that the whole world revolves around the Self, and that their country's system promotes the Self!) Can you hear the contradiction echo? Self-empowerment is self-delusory.
 
2.) A belief that the goals and ends justify the means, and that these means can be worked into a science of exact 0-tolerance technique which enables the same outcome to be reached again...and again...and again. This is the system of 'scientific' Control which governments themselves, claiming to be 'democracy', use in the Modernist period (and did not use during the French Revolution, the new Irish Republic, the modern Icelandic republic, or in the Polish Democratic Constitution nearly as much, or even within our own original Colonial aims.) Plenty of countries are currently cutting-edge and progressive without being progressivIST or Modernist. America is not one of the subtle enlightened few since it inherited Modernity as its machine to drive its own anti-Other empire. Because the machine *works so well*, it is a social fatality. That machine is highly highly effective in the beginning, but uses up everyone's material, emotional and social resources very swiftly, far swifter than older empires like Greece, Persia, Egypt did..... These empires were more tolerant, subtle and nuanced - they believed in built-in flexibility. They did not stress 0-tolerance and exacting technique-driven systems. They were smarter than we are - and that's why they endured longer. They could incorporate more Difference, and remain more personal despite their impersonal systems.
 
3.) A culture of intense Impersonality, where Personality is associated with all things 'evil' (impersonal 'persons' in court, you as a profit-number in a business or school or prison, your lack of ability to shake the president's hand in the White House [almost impossible today], your own outlawed and fading language dialect [too local and personal, therefore evil], talking and doing everything face-to-face [too uncomfortable for insecure controlfreaks], bribery, personal opinion or eccentricity, relational devotions, life-experience bias, familial and political feuds (like the duels in which pre-Modern president President Andrew Jackson engaged), Jihad or tribal suicides (madness!), dying at age 40 (how dare you?!), and anything that smacks too much of human physicality, human passion, human opinion, human emotion, humans showing loyalty to one or few other individuals. Anyone who does something 'extreme' in the name of such a devotion is deemed a lunatic in the world of Modernism. Where in reality those people are simply personal, practical people who clearly see what is right in front of them, and often enjoy their own lives intensely, and find intense meaning within them. Within a system of Impersonality, you are only allowed to do things that benefit a System of prediction and control and exacting techniques. This leads the personal-biological individual human being to go mad and start lashing out at his/her fellow human beings, performing no limit of atrocities and personal violations. People have no room to be .. themselves. Not only is Modernism against the Body (it learned this in part from Protestantism), but Modernism is against anything that is too upclose and personal. This is why we hate the culture of Islam beyond almost any culture we've encountered so far - Islamic culture is intensely personal and we therefore as overweening Romans buried behind our shield-walls declare all the sprinting slashing Visigoths  'Barbarians', those people who want face-to-face parley even as the 500 tribes of native Americans did whom we also laid low as 'barbarians.' We are the insane, not they. It is often better and more fulfilling to die than to follow a delusional tyrant - Modernism. And their earlier way has endured for millennia - sustainable, honourable, not prohibiting the body which is a part of every-day life; these people do not value longevity as much as a life well lived, and within which they experience intense personal bonds with those they love and who love them. We, on the other hand, want Outcome through our impersonal techniques which we are neurotically obsessed about. If those outcomes don't work, we obsess about finding new techniques to get a narrow set of outcomes! This is the very definition of illness.
 
4.) A belief that the machine of Technology, not only technique in a broader sense, can achieve and fulfill every human desire and whim, and shorten the time/space-span between a desire and that desire's fulfillment. This is nothing more and less than the One Ring; in all its power to do great good for us (give us the quick-gratification 'good life'), we are too weak to wield it. So we abuse it. We use technology to do more base things than beautiful things. And we cancel out the ugly hard step-by-step work involved in making your own domestic house by hiring outside experts, warehousing for expensive pre-made artificial materials, and trying to get something done as quickly and affordably as possible within our budget instead of making an artesan house worthy of any museum which we could own and enjoy for a few thousand dollars on a bit of land which humans ought to be entrusted to culturize and preserve without laying waste..... In any case, this same principle applies to many things - even to things like bookshelves or microwaves. The more the labour is micro-divided up, turned into mass factory labour, the more wretched and meaningless and joyless is the labour for the people involved in too-tiny steps of the process. The knife is replaced by an automatic saw or can-opener; the fire is replaced by electricity in wires; the walking stick is replaced by some monstrosity of a thing called a wheelchair. All this leads to less life-fulfillment, less autonomy, less pleasureable WORK. And so it also leads to Overspecialization, another key component of Modernism.
 
5.) Specialization promoted over Generalists or Renaissance skills. Fatal. Leads not to well-balanced life or contentment. And humans, in their quest to make big money to buy their way into all the things they now don't get to enjoy making themselves, are often forced to become lopsided specialists and take on unfulfilling kinds of work in their desire to make ends meet, especially now that we are in the post-Empire phase since the 1970s. The basic labourers have been earning less and less ever since the 1970s when the economic prosperity stopped trickling down to everyone and remains now in the hands of the few while that few's own resources dwindle and their own positions become ever more frail and meaningless.
 
6.) Futurism. The Future (whatever this means and whenvever this comes) is always always  more important than any achievement or peron or personal presence or delight or relic of the Past; it is also more important than the Present. That is core and tantamount to Modernism. Modernists are fascinated by but terrified of the Past - terrified of both its brutalities and its beauties. As an exchange, Moderns choose Control, within which no true Art can flourish. Modernists have long been too cowardly to actually state in concrete terms what this far-off futuristic Goal actually is. They have not only not arrived at this never-never point, they are further away than ever from achieving even the basic things that early Modernists achieved by the late 1800s - a few Utopian communities, short-lived but at least some of them spread by human will to hold-out personal places like Berlin, the Greek islands, Cuba, South America, or Alpine Switzerland/Austria and they all sorta worked since they were small in scale.
 
7.) Strong efforts to malign and not tolerate Supernaturalism. (Protestantism, having doffed the primal vital rituals and symbols of Catholicism, most often gets off the Modernist hook [is sheepishly tolerated], since Protestants tend to only speak about a Godhead who's a sort of Head /Social/ Scientist without real involvement in his/her own Creation.) We are, thankfully, slowly exiting this phase of myopia. The older Supernaturalism has been tolerated here and there (where it is disempowered) only because the subjects of the founders of Modernist governments refused to give up their age-old beliefs. In this case, it's not that most people ever stopped believing in supernatural powers (the Christian God, for example), and so they, so delusioned, comfort themselves that Modernism never took their God away from them. Wrong. The System that feeds, clothes and governs them is innately and intensly anti-God - and this fits in *perfectly* with a culture which stresses the *impersonal* (hence the popularity of Buddhism, Nihilism, Monism), the letter-of-the-law over the spirit-of-the-law (eugenics or profit-margin-gain care only about the letter of the law, not the spirit), and with the educational authority of Empire (where knowledge itself = 'rightness' and the right to put down minority people groups around the world living/grovelling subsistently and believing in arcane spirits of trees, stars, sun, lakes, heavens, ancestors...). Nothing new here in its outline; all other empires were inclined to persecute the Other - which in this case is anyone claiming to be a sincere Supernaturalist. There is a name for this big-headed self-delusional behaviour in the hands of Powers:  HUBRIS.
 
8.) Short-term gains and Triviality. I lob these two points in together because they are interfeeding and interdependent. There is nothing earnest about Modernity except for its being pushed through at all costs. Its *contents* is entirely trivial. That is the joke that no self-aware educated Modernist would ever want to explore or too cleanly admit, because it's built into the system. Modernist systems have entirely trivial goals - like getting their own football team to win or (more boldly) taking your wife when you lose your job, or nabbing up the forest behind your house so they can write some slogan about how 'refreshing Mountain Springs water is, bottled at the pristine source!' and barrage your internet pages or highways with blaring signs sporting the same 'truth'. It's not truth - it's Triviality. `Chew Bubbalicious Gum` is not a message that will get  you to any Paradise, either on this earth or in some next life. And the goals of such triviality infect all relationships and are *short-term.* This infects relationships and commitments. Therefore, in America, people switch states, spouses, jobs, houses, hobbies and foods as swiftly and whimsically as they switch types of pain-killers.
 
9.) Trend over Longevity. It is not the goal of Modernity to preserve anything it tries along the way to get what it thinks it wants. It is only the goal of Modernity to preserve *itself* and to sell its image in order to spread that ultimately material symbol of its image at home and abroad. It is therefore quite unable to fulfill its own goals, since it is unable to preach its own ideology at home or abroad. It does NOT know what it wants, only what it does NOT want. It is a reactionary movement, and a short-lived one, based on nothing of substance. It is the most short-lived ideology the world has ever seen or likely will ever see. It doesn't work. It does create great social sickness, and that is its own judgment.

10.) No remorse. To mourn or show sorriness is to be 'weak.' There is never apology. Never tears. This shows a hardness and falseness above all things. In this, they are more anti-Judeo-Christian than any people who've ever walked the earth. Where are the tears? Where is the remorse? There are none. I wait for that day. When I see tears, then I know there is hope for us here again.
 
All these aspects of Modernism, epitomized in the American experiment, work toward intense and accelerated social decay. They create nutrition-less soil underneath the social decay in America and explain why its own populace is fairly blind to it. America, along with a few gung-ho Asian countries, is experiencing this form of rot faster than any other people-group on the planet. It doesn't mean we are 'worse off' in every way, shape and form than other peoples. Not at all. In this lies all the deception..... We comfort ourselves in our 'blessings':  Pure dreaming escapism and avoidance. And avoidant, un-listening, with no attention span and NO REMORSE/MOURNING is what most Americans reading these paragraphs tend to be. If you are free, break the bonds of blindness, distrust, impersonality and pride. Mourn you, Mourn I as well; love the wider world.
 
None of this outline of Modernism has anything to do with underestimating all the 'horrible awful wicked' things humans do in any society, any time, under any kind of ideology. Humans have always done those things. I'm not talking about those things. In fact, true Modernists like to think that they are wiping those things off the face of the planet..... Greater naivite you will not find, in so far as they comfort themselves that 'we alone are not wicked'! They commit a far-worse hubris than the usual human evil in that they NEVER APOLOGISE, never mourn, never show remorse. No American President has shown remorse or apologised since I don't know when. This is Empire-Modernist blindness. Especially because it is mostly unintentional and unaware. This obliviousness does not excuse it.

Sunday, 24 August 2014

Bocktanz


I got tugged, by accident of cocking my head to a far-away Irish flute, into full-blown Irish celebrations along the lake last night. My former (Céili & Step) dance teacher showed up & roped me into `The Fairy Reel`, which seemed all and not at all familiar, in front of the stage and crowd. Sizzling. Ran into former ICH'er - Armenian-Finno-Hungarian dancer I hadn't seen since 2007, who's a co-digger of roots & folk-religion: _Katholikos_. Ecumenism, Chesterton & Belloc's names came up. Rare celebrations already have a crowded company for Thursday pub. Heaven petitions were ringing. The weather was sweltering on my eskimo-body. We sweated a freak medley of capers, waltzes, polkas, reels, hambos, polskas, gangars with centrifugal force to knock down arch-enemies. I flung water off my woolly mophead-hair like a half-goat, which led to dancing circles on my hands. This mad delight is the feast after famine: What diehard folko-philes feel, daily blared by Brainwash Babel Noise, when the public host traditional music for a single hour. I'd no idea the event was on - but I got there the same way all the children got into Pied Piper's magic mountain. By following the pipe out of town. Leaving the nuclear for the extended family. Hail the Piper! Down with Puritans.

Thursday, 22 May 2014

The Pied Piper of Hamlin

My message, put too vague in my previous post, overlaps with things Edward Hamiton communicated with me about cosmetic attempts to defy aging or airbrush oneself with an appearance of plastic youth. My thesis here joins with his, since it stands in mocking amazement at an entire culture's avoidance of or glossing over of aging and death (cryonics being the dead-end of such obsessions). I don't wish to misapply Freudian terms, but *obsession* (not mentioned above) figures centrally in my understanding of how the body is ... compartmentalised and delinked from the human being. I'm not letting global cultures off the hook in this regard, but I'm aiming my DARTS now at the very recent trend in Anglo and American world power, uncoincidentally coupled with Modernity (1820s - Present), in which the Body only ever exists in polarities. People (me included) never find a 'middle-ground' for Nature or the body - because our society never groundworked any ground in the middle. All ground is forced to the edges. Standing 'between things' means for us taking extreme sides, or reacting to the poles themselves, thus shunting you mercilessly to yet another pole. With something as culturally aged, forgotten and inconvenient as ... Your Very Own Body (!), Modernists did not know what to do but to start killing people with electric chairs and gas-chambers in their terror of crunching bones or pouring blood. So afraid of the Body had they become. And the poor children! The children, like separate non-human creatures because they're not adults (no, not allowed!), these amputated kids & teens absorb and court some occult Adult world by playing doctor and hiding everything they do in the barnyard until they finally leave Body-taboos behind to become the raving psycho adults their parents were, rushing marriage (or free-love!) because they had no outlet for eating, drinking, sleeping, or pursuing their sexual love in peace, moderation, sacredness, adult morale, and commitment. There is no extended communal family to foster any integration of the body. You are stuck with people too biologically close to you to receive any real comfort or guidance. You need bredth and distance, but shall not get it. The kids therefore have to martyr their bodies all alone, like jilted bulemics, throughout puberty itself, ruining the greatest discovery period of their lives, then later joining ranks with the half-imagined world of their betters in which they themselves, locked and jailed inside the xenophobic Nuclear Family, toss aside the Old Grandparents and corral (with steel cables!) the next group of Little Innocent Kids, and disrespect everyone's body around them. You see - you must shun your yucky body or just go nuts with it, breaking every law! Thou Shalt Not receive any Middle Ground. Everyone has a gross yucky body, a body very awkward to deal with. The body in this culture of physical debasement always comes compartmentalised, non-integrated with the mind, with the heart, with one's convictions, with morality. The body in this culture is a riddle for moral law instead of a reason for the same moral law to protect throughout larger, integrated multi-generations. At the root of these harmful Modernist obsessions, speeding arrows stray of any target, is the Adult World, 'sensational', occult, segmented from the 'Pure Child's' world. All the ridiculous and life-segmenting values of the bourgeois Modernist Protestants and/or Atheists hemmed the poor Child in like a paralysing Idyll. Puritanical society fears 'corruption of our poor poor kids' (!) above all things, making `The Pied Piper of Hamlin` the most terrifying fairy-tale known in America. This gross 'ex-corporalising' of one's own offsprings or life-pupils is a deeply anti-body tradition (strangely overlapping with ritual school spankings, taboo school sex-fetishes, bodily sadistic teachers and headmasters and parents.)

It's not so much that Anglos & Americans simply do 'transgressive things' with the body - it's that they have compartmentalised the body and grown up obsessing about it like a sundered finger or an ear they lost as a child, or which some rule forbad them use for touching or hearing (!). All this loss and taboo and discomfort and the making 'gross' of things sacred and ancient, results in only one thing: The body as a disjointed, disfigured object like a project for a cosmetologist, per Ed's perceptive paragraph. The nuclear family, the Modern Nuclear Family (who controls the world in a material empire), is overly protective by nature since it's too narrow and small a social group to feel secure. The empire is materially strong, socially very weak. It looks out over its vista of materials it needs to continue this flawed experiment in unnatural consumption and child-rearing. You see, the tiny tiny nuclear family must protect ....the Children! Those innocent Children! Insidiously, for those who grow up inside this world, those people never get a sky-view of the amputation of their very body-heart-selves as they grow into 'Adults'. You grow up with your body, and with the body of your friend nearby, or that of your mother, or your bride hoped-to-be, but you are told you must amputate your body from your career, from your routine, from your relationships, and (most importantly) you must privatise any of those more 'gross things' like too much focus on food, sleep, exercise, sex, helping the sick, or easing and honouring and communalizing the passage of the dying/dead.

What is left when one is forced to amputate one's own body - only this: A lot posturing on a stage. A lot of acting. All this grossness (magical miraculous nature made 'gross'!), all this unholiness is perfect material for the Modern artist's templates. In a world grown unfeeling and deadened, things like bleeding or digesting food or reproduction or giving birth become sizzly sensations on the artist's lurid stage. Life itself is not respected - so of course Dying and Death are not either.

Tuesday, 20 May 2014

The Body

The material world and your body, your own body, is not amoral. It is not morally neutral. Any way of teaching/culture which makes you forget, cancel or denigrate your own body makes you half alive and half dead. It makes you a harmer. It makes you spit on precious things. It is deeply anti-Judaic and anti-Jesus, and anti nearly every aged belief on earth. Making the body second-rate kills your senses, stealing from you your passion and com-passion. Do not segment, censor, kill, debase, mock, or belittle your body or the body of any(one)(thing) else. The body is sacred. You are lost, every step of the way you neglect it. I aim these words at everyone, me included, but mainly at America and Britain - for you have forgotten the truth of your ancestors, you have walked over the bodies of your shamed and slain, and tortured the dignity of millions. I respect you in much else, and have learned much from you. Stop killing the body. I am not ashamed of my body, and shall uphold and dignify the body of my neighbour, my friend, the cosmos and my enemy. I am not ashamed of the body of life made by my Maker, or by any other originator. No more debasing, no more fragmentation, no more disrespect, no more execration. The unholiness of neglecting the body ends here, from my heart to my finger to my pen.

Thursday, 17 April 2014

Come, I will cult-lead you

 
I'm writing an alliterating and rhyming manual on how to tutor. It incorporates holistic, libertarian pedagogy exercised on private land. Embark upon environmental, personal, higher-risk learning with ropes, pulleys, bowdrills, cliff-side & tree-branch recitations, oral tradition in blindfolds, manual rock transport, & multilingual water immersion. You will multi-task during all activities, shifting organically between interrelated skill-sets. You will be physically and mentally exposed to alternating environments and multidimensional situations. As you synergistically work, your physical, mental and spiritual health will grow supple, vibrant, adaptable, integrated, and non-assuming. Your educators and audience consist exclusively of bona fide friends. Each day will be summarised before sleep -- Symbolically, demonstratively re-enacted in front of a communal fire. Everything will be recorded, then dramatically re-staged in front of everyone at least twice. Nothing will be confidential. There will be no such thing as not offering your own opinion. All arrangements will be non-professional. All rights to safety and not falling in love will be waived.

Wednesday, 16 April 2014

You're Supposed to Be Overwhelmed

It seems like, whether it's God or 'the Universe' or 'Self', life itself is too much for everyone. Good, happy fortune will topple your equilibrium just as ruthlessly as bad fortune. And being in the middle will drive you nuts too. Each one is overwhelmed by fear, happiness, sadness, hope, disappointment. The best we can do is stop pretending we are ... alone. Being overwhelmed and overawed does not happen in isolation. Don't be snookered. You're not an autonomous, individualistic soldier.

Sunday, 6 April 2014

Past the Poles

We don't want women. We don't want men. We want interactive women and men.

We don't want hard workers. We don't want hard players. We want people of lasting intimacy.

We don't want vacation. We don't want overtime. Every hour is holy.

We don't want recreation. We don't want boredom. We want delight in each other's presence.

We don't want 0-tolerance. We don't want payback. We'll take things with a grain of salt.

We don't want Black. We don't want White. We want everything inbetween.

We don't want surface. We don't want varnish. We want everything underneath.

We don't want Victorian. We don't want skank. We want a giving lover.

We don't want silence. We don't want talk. We want bonding.

We don't want puritans. We don't want debauch. We want people making pleasure.

We don't want to conserve. We don't want to rebel. We want things that matter to last.

We don't want to compete. We don't want to stagnate. We want things that matter to last.

We don't want slavery. We don't want free. We want privacy to make moral choices.

We don't want war. We don't want peace. Our lives surpass your state.

We don't want life. We don't want death. We want you not to fear them.

We don't want to work. We don't want to retire. We want a life worth working and spending for.

We don't want Republicans. We don't want Democrats. We want our neighbours in office.

We don't want condemners. We don't want avoiders. We want leaders who face our face.

We want leaders who relate to people. We want governments who love the world.

We don't want Team A. We don't want Team B. Learn to play ball with F.

We don't want your goals. We don't want your data. We want your living soul.

We don't want security. We don't want control. We will risk the unexpected.

We don't want growth. We don't want markets. We want new seed every Spring.  
                        ~NpH

Sunday, 3 November 2013

Fire Is Hotter Than Blood

37° F/3° C. Chewed on life on the porch with my brother. Puffed, sipped and mingled thoughts with my brother. Frozen toes, warm counsel. A smoke arose. A secret congress. A consort howl. A breath of half-forgotten strength vented from below, or from above. The vagabond wolf, separated from the pack, finds the warmest hearth. What is kinship when its bonds die away? Friendship remains: The guide to turf, to den, to country, to money, to mate, to feast – to every spoiled dream.

Friday, 15 February 2013

Zonking Ziggu Rats

When controlfreakish big-heads, drugged up on some new System Creed, lack humility to confess their own small knowledge, wee cosmic stature, mistakes, frailty or doubt, ranting on about how a device, method, convention, prediction, currency, stock, military force, government, gene, fuel, empire or city or ship (Titanic) is fool-proof, eternal, immutable, invincible like a Pharaoh's eyeball or Babylonian ziggurat or Roman road, I sit paring my claws, tittering, snorting & cackling through snarls of derision, more convicted I can knap flint with gnomes on Neptune rather than believe them.

Saturday, 4 August 2012

Stuck in a Rut

Why are toilets more cultural ('taboo') than something invented or experimented with? Function isn't half the story. The weak whirl-swirl of my homeland's toilets always made me wonder ... but then I realised:   It's convention not invention. It's not as if the Brits deserve a reward for their awesome water-dropping tanks that flood down water like a cataract & get the job done nicely (with splashing). I bet the Germans won't adopt that just because 'it works'. People love their flushing comfort zones. Everyone's stuck in a toilet rut. ;-)

Tuesday, 8 February 2011

People on the Bus Tell You How to Be Healthy :-/

I overheard something very similar to the following conversation while taking the 10pm 3Bus on February 7th, 2011.



Participants:

--Single mother

--Two male students



Mother: Hey. Just came from Knuckleheads. They didn't have any.

Student: Yeah you can't beat those. When I want my tobacco fix, I always go for __________.

Mother: Yeah def. They've been sayin smoking it isn't good for you, but cigs are just as bad, pot the same. It don' matter.

Student: Shhhhhh, Everything's bad for you. Taco Bell just recalled a bunch of lettuce! D'you hear that? Yeah.

Mother: Like my kid. He's been havin some kinda skin issue. I just give him ___________ , clears him right up, but it's not supposed to be good for'im.

Student: [laughing] That is some bad stuff! Intense. He's like 1? It's helpin tho, I bet, RIGHT?

Mother: Heck yeah.

Student: Man, babies are craaaazy!

Mother: Yeah, tough lid'l guy.

Student: Wshooooo. Wow, gettin hungry. Can't wait till class tomorrow, you? I love it when Mr ________ brings a sh_t-load of donuts or cupcakes. Gives me enough punch for the day.

Mother: Y'got that right. And what about cookies? Cookies will make ANYONE happy.

Student: Sh_t yeah! I skip breakfast just for his class. Ts'mazin he brings all that sh_t.

Mother: SOMEONE's gotta take care of us!

Student: People are nice !!

Friday, 26 March 2010

Nerve Bundle

"senses a dangerous nerve bundle in the surrounding culture, rippling over to edges of the globe, an undercurrent of panic feeding off of personal emptiness - a swelling and seething hysteria building up after such overstimulation spills off and people are left alone with themselves and their raging needs - up until now barely fending off the void...."

Thursday, 18 March 2010

People Afraid of Ritual Want Random Events Controlled by a 'Safe Programmer' !

I dreamt this dream on March 13th, 2010. In it I witnessed the effects of a ‘Reality Game’ generated (supposedly) by a computer programmed by humans to arrange hologram ‘reality events’ in random, complex patterns such that any real-life decisions which the human players made actually spurred the computer to fire back seemingly unpredictable phenomena. I believe the dream symbolises the direction which American and industrial Asian societies in particular are tracking. As far as the human players were concerned, the point seemed to be the desire to be caught up in something which seemed (most excitingly) out of their control, and which also gave them an air of heroism (‘purpose’) devoid of responsibility and social accountability. I won’t claim that the human players lived out their roles devoid of any sense of personal or social ethics, but the charge which people got out of gaming (an experimental stage) meant that many of the players would commit heinous acts out of sheer boredom, curiosity, or a desire to mess with the computer. People seemed to delight in the fun of guessing “Is this real or isn’t this?” If the gamers commited ‘bold acts’, it was only because they naively assumed a computer generated life couldn’t lead to REAL death, love, loss, disappointment, grief or pain. In other words, it allowed the participants to avoid all the very things they most needed to come to terms with in their plastic lives, and spelled out a perfect chess-board of self-deception. Within this frame of deception, I saw keenly the presence of demons, delighting in the folly and frailty of the human inventers.

Being keenly critical of such things in my own waking world, I was even more critical of this particular ‘game’ in the context of my dream – partly because it worked out to my own peril and isolation and, frankly, angered me to the point of driving me to use a spiritual exorcism to combat the series of events interplaying between human and computer. What I found most void and vapid about the game was its clear role in society as a *surrogate* ritual – a sham counterfeit to stand in the place of the many rituals of life, death, love, passage, voyage, work, clan, reunion, parting (etc) which pre-modern societies enact as extensions of a single integrative world-view.

In my dream, the contents of the game played out in a perfect pastiche of my parent’s and Oregon sister’s house. The players did not primarily consist of my family members – rather I sensed that my family members were suffering from the damnable trip the players were getting out of playing their game.

In the perception of the participants, ‘virtual’ objects and dangers would seem so real that one could no longer distinguish between real and virtual. Though I wasn’t a willing participant, I realised that I couldn’t ignore or escape the plot of this game.

My first face-off with the game was with a creature I did not know was real or virtual. A huge swooping venom-green serpent coiled through the air straight at me. I dodged to one side – it passed me by. As the game developed, I noticed that the participants became increasingly uneasy; it was a relief actually. Their healthy fear seemed to me a good sign!

And yet they weren’t near afraid enough (one is reminded of those who graspingly took Sauron’s gift-rings). I suspected that the humans had not only used the computers to create ‘bad art’ (trivial, reality-shunning, nature-hating), but that actual supernatural forces were at work to toy with the Materialists who’d created the game. When a ‘virtual’ suicide hanging occurred in the house attic and players advised me to take no notice (“It’s not real!”), I became even more convinced they were victims of moral delusion: they themselves might soon be dangling from the ends of ropes. I toyed with the idea of camping out in this attic – because I guessed any place the players were so keen to avoid had to be of central importance. Yet I was jittery, uneasy. I was partly unsure myself what was going on.

I went outside. I walked along a long dark beach. I noticed that shapes and shadows eavesdropped on my peripheral vision. I hurried back indoors. By this time the game seemed like no game at all. It was more like being trapped in some version of _The Exorcist_. I went to the top level of my parents’ house – to the room in which my sister and I had grown up. I noticed that some bunched bundled shape was shooting underneath all the blankets, carpets and curtains. The shapes then shifted into creatures. Even the house cat (was it the house cat?) changed its form. I began speaking out in a rhythmic voice, chanting, but couldn’t catch my breath to make audible sound. Once I gained strength, I resonated with power and banished the apparitions or forms from the household through intercessory prayers and petitions.

Once all the ‘excitement’ had ended, my family and I went back to the social rituals and dramas of our real lives with a vengeance – and life was good, not a dull or meaningless moment! The Mundane was full of Art and Narrative and Wonder. There was no need to add in a mind-blurring game to replace the ritual of a communal meal or bedtime story or lover’s walk. The grid and embroidery of our lives was undergirded by our faith that everything in the world and through time hung together in one piece. No one seemed to worry about techniques and proper results as much as becoming a family again. In place of robots, we got our human beings back.

Thursday, 17 September 2009

The Superego-randy Ayn Rand and related terrors

Below find copied text of Jonathan Chait's 'Wealthcare', taken from _The New Republic_

http://www.tnr.com/article/books-and-arts/wealthcare-0?page=0,2


I.

The current era of Democratic governance has provoked a florid response on the right, ranging from the prosaic (routine denunciations of big spending and debt) to the overheated (fears of socialism) to the lunatic (the belief that Democrats plan to put the elderly to death). Amid this cacophony of rage and dread, there has emerged one anxiety that is an actual idea, and not a mere slogan or factual misapprehension. The idea is that the United States is divided into two classes--the hard-working productive elite, and the indolent masses leeching off their labor by means of confiscatory taxes and transfer programs.

You can find iterations of this worldview and this moral judgment everywhere on the right. Consider a few samples of the rhetoric. In an op-ed piece last spring, Arthur Brooks, the president of the American Enterprise Institute, called for conservatives to wage a "culture war" over capitalism. "Social Democrats are working to create a society where the majority are net recipients of the ‘sharing economy,' " he wrote. "Advocates of free enterprise . . . have to declare that it is a moral issue to confiscate more income from the minority simply because the government can." Brooks identified the constituency for his beliefs as "the people who were doing the important things right--and who are now watching elected politicians reward those who did the important things wrong." Senator Jim DeMint echoed this analysis when he lamented that "there are two Americas but not the kind John Edwards was talking about. It's not so much the haves and the have-nots. It's those who are paying for government and those who are getting government."

Pat Toomey, the former president of the Club for Growth and a Republican candidate for the Senate in Pennsylvania, has recently expressed an allegorical version of this idea, in the form of an altered version of the tale of the Little Red Hen. In Toomey's rendering, the hen tries to persuade the other animals to help her plant some wheat seeds, and then reap the wheat, and then bake it into bread. The animals refuse each time. But when the bread is done, they demand a share. The government seizes the bread from the hen and distributes it to the "not productive" fellow animals. After that, the hen stops baking bread.

This view of society and social justice appeared also in the bitter commentary on the economic crisis offered up by various Wall Street types, and recorded by Gabriel Sherman in New York magazine last April. One hedge-fund analyst thundered that "the government wants me to be a slave!" Another fantasized, "JP Morgan and all these guys should go on strike--see what happens to the country without Wall Street." And the most attention-getting manifestation of this line of thought certainly belonged to the CNBC reporter Rick Santelli, whose rant against government intervention transformed him into a cult hero. In a burst of angry verbiage, Santelli exclaimed: "Why don't you put up a website to have people vote on the Internet as a referendum to see if we really want to subsidize the losers' mortgages, or would we like to at least buy cars and buy houses in foreclosure and give them to people that might have a chance to actually prosper down the road and reward people that could carry the water instead of drink the water!"

Most recently the worldview that I am describing has colored much of the conservative outrage at the prospect of health care reform, which some have called a "redistribution of health" from those wise enough to have secured health insurance to those who have not. "President Obama says he will cover thirty to forty to fifty million people who are not covered now--without it costing any money," fumed Rudolph Giuliani. "They will have to cut other services, cut programs. They will have to be making decisions about people who are elderly." At a health care town hall in Kokomo, Indiana, one protester framed the case against health care reform positively, as an open defense of the virtues of selfishness. "I'm responsible for myself and I'm not responsible for other people," he explained in his turn at the microphone, to applause. "I should get the fruits of my labor and I shouldn't have to divvy it up with other people." (The speaker turned out to be unemployed, but still determined to keep for himself the fruits of his currently non-existent labors.)

In these disparate comments we can see the outlines of a coherent view of society. It expresses its opposition to redistribution not in practical terms--that taking from the rich harms the economy--but in moral absolutes, that taking from the rich is wrong. It likewise glorifies selfishness as a virtue. It denies any basis, other than raw force, for using government to reduce economic inequality. It holds people completely responsible for their own success or failure, and thus concludes that when government helps the disadvantaged, it consequently punishes virtue and rewards sloth. And it indulges the hopeful prospect that the rich will revolt against their ill treatment by going on strike, simultaneously punishing the inferiors who have exploited them while teaching them the folly of their ways.

There is another way to describe this conservative idea. It is the ideology of Ayn Rand. Some, though not all, of the conservatives protesting against redistribution and conferring the highest moral prestige upon material success explicitly identify themselves as acolytes of Rand. (As Santelli later explained, "I know this may not sound very humanitarian, but at the end of the day I'm an Ayn Rand-er.") Rand is everywhere in this right-wing mood. Her novels are enjoying a huge boost in sales. Popular conservative talk show hosts such as Rush Limbaugh and Glenn Beck have touted her vision as a prophetic analysis of the present crisis. "Many of us who know Rand's work," wrote Stephen Moore in the Wall Street Journal last January, "have noticed that with each passing week, and with each successive bailout plan and economic-stimulus scheme out of Washington, our current politicians are committing the very acts of economic lunacy that Atlas Shrugged parodied in 1957."

Christopher Hayes of The Nation recently recalled one of his first days in high school, when he met a tall, geeky kid named Phil Kerpen, who asked him, "Have you ever read Ayn Rand?" Kerpen is now the director of policy for the conservative lobby Americans for Prosperity and an occasional right-wing talking head on cable television. He represents a now-familiar type. The young, especially young men, thrill to Rand's black-and-white ethics and her veneration of the alienated outsider, shunned by a world that does not understand his gifts. (It is one of the ironies, and the attractions, of Rand's capitalists that they are depicted as heroes of alienation.) Her novels tend to strike their readers with the power of revelation, and they are read less like fiction and more like self-help literature, like spiritual guidance. Again and again, readers would write Rand to tell her that their encounter with her work felt like having their eyes open for the first time in their lives. "For over half a century," writes Jennifer Burns in her new biography of this strange and rather sinister figure, "Rand has been the ultimate gateway drug to life on the right."

The likes of Gale Norton, George Gilder, Charles Murray, and many others have cited Rand as an influence. Rand acolytes such as Alan Greenspan and Martin Anderson have held important positions in Republican politics. "What she did--through long discussions and lots of arguments into the night--was to make me think why capitalism is not only efficient and practical, but also moral," attested Greenspan. In 1987, The New York Times called Rand the "novelist laureate" of the Reagan administration. Reagan's nominee for commerce secretary, C. William Verity Jr., kept a passage from Atlas Shrugged on his desk, including the line "How well you do your work ... [is] the only measure of human value."

Today numerous CEOs swear by Rand. One of them is John Allison, the outspoken head of BB&T, who has made large grants to several universities contingent upon their making Atlas Shrugged mandatory reading for their students. In 1991, the Library of Congress and the Book of the Month Club polled readers on what book had influenced them the most. Atlas Shrugged finished second, behind only the Bible. There is now talk of filming the book again, possibly as a miniseries, possibly with Charlize Theron. Rand's books still sell more than half a million copies a year. Her ideas have swirled below the surface of conservative thought for half a century, but now the particulars of our moment--the economic predicament, the Democratic control of government--have drawn them suddenly to the foreground.

II.

Rand's early life mirrored the experience of her most devoted readers. A bright but socially awkward woman, she harbored the suspicion early on that her intellectual gifts caused classmates to shun her. She was born Alissa Rosenbaum in 1905 in St. Petersburg. Her Russian-Jewish family faced severe state discrimination, first for being Jewish under the czars, and then for being wealthy merchants under the Bolsheviks, who stole her family's home and business for the alleged benefit of the people.

Anne C. Heller, in her skillful life of Rand, traces the roots of Rand's philosophy to an even earlier age. (Heller paints a more detailed and engaging portrait of Rand's interior life, while Burns more thoroughly analyzes her ideas.) Around the age of five, Alissa Rosenbaum's mother instructed her to put away some of her toys for a year. She offered up her favorite possessions, thinking of the joy that she would feel when she got them back after a long wait. When the year had passed, she asked her mother for the toys, only to be told she had given them away to an orphanage. Heller remarks that "this may have been Rand's first encounter with injustice masquerading as what she would later acidly call ‘altruism." (The anti-government activist Grover Norquist has told a similar story from childhood, in which his father would steal bites of his ice cream cone, labelling each bite "sales tax" or "income tax." The psychological link between a certain form of childhood deprivation and extreme libertarianism awaits serious study.)

Rosenbaum dreamed of fame as a novelist and a scriptwriter, and fled to the United States in 1926, at the age of twenty-one. There she adopted her new name, for reasons that remain unclear. Rand found relatives to support her temporarily in Chicago, before making her way to Hollywood. Her timing was perfect: the industry was booming, and she happened to have a chance encounter with the director Cecil B. DeMille--who, amazingly, gave a script-reading job to the young immigrant who had not yet quite mastered the English language. Rand used her perch as a launching pad for a career as a writer for the stage and the screen.

Rand’s political philosophy remained amorphous in her early years. Aside from a revulsion at communism, her primary influence was Nietzsche, whose exaltation of the superior individual spoke to her personally. She wrote of one of the protagonists of her stories that "he does not understand, because he has no organ for understanding, the necessity, meaning, or importance of other people"; and she meant this as praise. Her political worldview began to crystallize during the New Deal, which she immediately interpreted as a straight imitation of Bolshevism. Rand threw herself into advocacy for Wendell Wilkie, the Republican presidential nominee in 1940, and after Wilkie’s defeat she bitterly predicted "a Totalitarian America, a world of slavery, of starvation, of concentration camps and of firing squads." Her campaign work brought her into closer contact with conservative intellectuals and pro-business organizations, and helped to refine her generalized anti-communist and crudely Nietzschean worldview into a moral defense of the individual will and unrestrained capitalism.

Rand expressed her philosophy primarily through two massive novels: The Fountainhead, which appeared in 1943, and Atlas Shrugged, which appeared in 1957. Both tomes, each a runaway best-seller, portrayed the struggle of a brilliant and ferociously individualistic man punished for his virtues by the weak-minded masses. It was Atlas Shrugged that Rand deemed the apogee of her life’s work and the definitive statement of her philosophy. She believed that the principle of trade governed all human relationships--that in a free market one earned money only by creating value for others. Hence, one’s value to society could be measured by his income. History largely consisted of "looters and moochers" stealing from society’s productive elements.

In essence, Rand advocated an inverted Marxism. In the Marxist analysis, workers produce all value, and capitalists merely leech off their labor. Rand posited the opposite. In Atlas Shrugged, her hero, John Galt, leads a capitalist strike, in which the brilliant business leaders who drive all progress decide that they will no longer tolerate the parasitic workers exploiting their talent, and so they withdraw from society to create their own capitalistic paradise free of the ungrateful, incompetent masses. Galt articulates Rand’s philosophy:

The man at the top of the intellectual pyramid contributes the most to all those below him, but gets nothing except his material payment, receiving no intellectual bonus from others to add to the value of his time. The man at the bottom who, left to himself, would starve in his hopeless ineptitude, contributes nothing to those above him, but receives the bonus of all of their brains. Such is the nature of the "competition" between the strong and the weak of the intellect. Such is the pattern of "exploitation" for which you have damned the strong.

The bifurcated class analysis did not end the similarities between Rand’s worldview and Marxism. Rand’s Russian youth imprinted upon her a belief in the polemical influence of fiction. She once wrote to a friend that "it’s time we realize--as the Reds do--that spreading our ideas in the form of fiction is a great weapon, because it arouses the public to an emotional, as well as intellectual response to our cause." She worked both to propagate her own views and to eliminate opposing views. In 1947 she testified before the House Un-American Activities Committee, arguing that the film Song of Russia, a paean to the Soviet Union made in 1944, represented communist propaganda rather than propaganda for World War II, which is what it really supported. (Rand, like most rightists of her day, opposed American entry into the war.)

In 1950, Rand wrote the influential Screen Guide for Americans, the Motion Picture Alliance’s industry guidebook for avoiding subtle communist influence in its films. The directives, which neatly summarize Rand’s worldview, included such categories as "Don’t Smear The Free Enterprise System," "Don’t Smear Industrialists" ("it is they who created the opportunities for achieving the unprecedented material wealth of the industrial age"), "Don’t Smear Wealth," and "Don’t Deify ‘The Common Man’" ("if anyone is classified as ‘common’--he can be called ‘common’ only in regard to his personal qualities. It then means that he has no outstanding abilities, no outstanding virtues, no outstanding intelligence. Is that an object of glorification?"). Like her old idol Nietzsche, she denounced a transvaluation of values according to which the strong had been made weak and the weak were praised as the strong.

Rand’s hotly pro-capitalist novels oddly mirrored the Socialist Realist style, with two-dimensional characters serving as ideological props. Burns notes some of the horrifying implications of Atlas Shrugged. "In one scene," she reports, "[Rand] describes in careful detail the characteristics of passengers doomed to perish in a violent railroad clash, making it clear their deaths are warranted by their ideological errors." The subculture that formed around her--a cult of the personality if ever there was one--likewise came to resemble a Soviet state in miniature. Beginning with the publication of The Fountainhead, Rand began to attract worshipful followers. She cultivated these (mostly) young people interested in her work, and as her fame grew she spent less time engaged in any way with the outside world, and increasingly surrounded herself with her acolytes, who communicated in concepts and terms that the outside world could not comprehend.

Rand called her doctrine "Objectivism," and it eventually expanded well beyond politics and economics to psychology, culture, science (she considered the entire field of physics "corrupt"), and sundry other fields. Objectivism was premised on the absolute centrality of logic to all human endeavors. Emotion and taste had no place. When Rand condemned a piece of literature, art, or music (she favored Romantic Russian melodies from her youth and detested Bach, Mozart, Beethoven, and Brahms), her followers adopted the judgment. Since Rand disliked facial hair, her admirers went clean-shaven. When she bought a new dining room table, several of them rushed to find the same model for themselves.

Rand’s most important acolyte was Nathan Blumenthal, who first met her as a student infatuated with The Fountainhead. Blumenthal was born in Canada in 1930. In 1949 he wrote to Rand, and began to visit her extensively, and fell under her spell. He eventually changed his name to Nathaniel Branden, signifying in the ancient manner of all converts that he had repudiated his old self and was reborn in the image of Rand, from whom he adapted his new surname. She designated Branden as her intellectual heir.

She allowed him to run the Nathaniel Branden Institute, a small society dedicated to promoting Objectivism through lectures, therapy sessions, and social activities. The courses, he later wrote, began with the premises that "Ayn Rand is the greatest human being who has ever lived" and "Atlas Shrugged is the greatest human achievement in the history of the world." Rand also presided over a more select circle of followers in meetings every Saturday night, invitations to which were highly coveted among the Objectivist faithful. These meetings themselves were frequently ruthless cult-like exercises, with Rand singling out members one at a time for various personality failings, subjecting them to therapy by herself or Branden, or expelling them from the charmed circle altogether.

So strong was the organization’s hold on its members that even those completely excommunicated often maintained their faith. In 1967, for example, the journalist Edith Efron was, in Heller’s account, "tried in absentia and purged, for gossiping, or lying, or refusing to lie, or flirting; surviving witnesses couldn’t agree on exactly what she did." Upon her expulsion, Efron wrote to Rand that "I fully and profoundly agree with the moral judgment you have made of me, and with the action you have taken to end social relations." One of the Institute’s therapists counseled Efron’s eighteen-year-old son, also an Objectivist, to cut all ties with his mother, and made him feel unwelcome in the group when he refused to do so. (Efron’s brother, another Objectivist, did temporarily disown her.)

Sex and romance loomed unusually large in Rand’s worldview. Objectivism taught that intellectual parity is the sole legitimate basis for romantic or sexual attraction. Coincidentally enough, this doctrine cleared the way for Rand--a woman possessed of looks that could be charitably described as unusual, along with abysmal personal hygiene and grooming habits--to seduce young men in her orbit. Rand not only persuaded Branden, who was twenty-five years her junior, to undertake a long-term sexual relationship with her, she also persuaded both her husband and Branden’s wife to consent to this arrangement. (They had no rational basis on which to object, she argued.) But she prudently instructed them to keep the affair secret from the other members of the Objectivist inner circle.

At some point, inevitably, the arrangement began to go very badly. Branden’s wife began to break down--Rand diagnosed her with "emotionalism," never imagining that her sexual adventures might have contributed to the young woman’s distraught state. Branden himself found the affair ever more burdensome and grew emotionally and sexually withdrawn from Rand. At one point Branden suggested to Rand that a second affair with another woman closer to his age might revive his lust. Alas, Rand--whose intellectual adjudications once again eerily tracked her self-interest--determined that doing so would "destroy his mind." He would have to remain with her. Eventually Branden confessed to Rand that he could no longer muster any sexual attraction for her, and later that he actually had undertaken an affair with another woman despite Rand’s denying him permission. After raging at Branden, Rand excommunicated him fully. The two agreed not to divulge their affair. Branden told his followers only that he had "betrayed the principles of Objectivism" in an "unforgiveable" manner and renounced his role within the organization.

Rand’s inner circle turned quickly and viciously on their former superior. Alan Greenspan, a cherished Rand confidant, signed a letter eschewing any future contact with Branden or his wife. Objectivist students were forced to sign loyalty oaths, which included the promise never to contact Branden, or to buy his forthcoming book or any future books that he might write. Rand’s loyalists expelled those who refused these orders, and also expelled anyone who complained about the tactics used against dissidents. Some of the expelled students, desperate to retain their lifeline to their guru, used pseudonyms to re-enroll in the courses or re-subscribe to her newsletter. But many just drifted away, and over time the Rand cult dwindled to a hardened few.

III.

Ultimately the Objectivist movement failed for the same reason that communism failed: it tried to make its people live by the dictates of a totalizing ideology that failed to honor the realities of human existence. Rand’s movement devolved into a corrupt and cruel parody of itself. She herself never won sustained personal influence within mainstream conservatism or the Republican Party. Her ideological purity and her unstable personality prevented her from forming lasting coalitions with anybody who disagreed with any element of her catechism.

Moreover, her fierce attacks on religion--she derided Christianity, again in a Nietzschean manner, as a religion celebrating victimhood--made her politically radioactive on the right. The Goldwater campaign in 1964 echoed distinctly Randian themes--"profits," the candidate proclaimed, "are the surest sign of responsible behavior"--but he ignored Rand’s overtures to serve as his intellectual guru. He was troubled by her atheism. In an essay in National Review ten years after the publication of Atlas Shrugged, M. Stanton Evans summarized the conservative view on Rand. She "has an excellent grasp of the way capitalism is supposed to work, the efficiencies of free enterprise, the central role of private property and the profit motive, the social and political costs of welfare schemes which seek to compel a false benevolence," he wrote, but unfortunately she rejects "the Christian culture which has given birth to all our freedoms."

The idiosyncracies of Objectivism never extended beyond the Rand cult, though it was a large cult with influential members--and yet her central contribution to right-wing thought has retained enormous influence. That contribution was to express the opposition to economic redistribution in moral terms, as a moral depravity. A long and deep strand of classical liberal thought, stretching back to Locke, placed the individual in sole possession of his own economic destiny. The political scientist C.B. MacPherson called this idea "possessive individualism," or "making the individual the sole proprietor of his own person and capacities, owing nothing to society for them." The theory of possessive individualism came under attack in the Marxist tradition, but until the era of the New Deal it was generally accepted as a more or less accurate depiction of the actual social and economic order. But beginning in the mid-1930s, and continuing into the postwar years, American society saw widespread transfers of wealth from the rich to the poor and the middle class. In this context, the theory of possessive individualism could easily evolve into a complaint against the exploitation of the rich. Rand pioneered this leap of logic--the ideological pity of the rich for the oppression that they suffer as a class.

There was more to Rand’s appeal. In the wake of a depression that undermined the prestige of business, and then a postwar economy that was characterized by the impersonal corporation, her revival of the capitalist as a romantic hero, even a superhuman figure, naturally flattered the business elite. Here was a woman saying what so many of them understood instinctively. "For twenty-five years," gushed a steel executive to Rand, "I have been yelling my head off about the little-realized fact that eggheads, socialists, communists, professors, and so-called liberals do not understand how goods are produced. Even the men who work at the machines do not understand it." Rand, finally, restored the boss to his rightful mythic place.

On top of all these philosophical compliments to success and business, Rand tapped into a latent elitism that had fallen into political disrepute but never disappeared from the economic right. Ludwig von Mises once enthused to Rand, "You have the courage to tell the masses what no politician told them: you are inferior and all the improvements in your condition which you simply take for granted you owe to the effort of men who are better than you." Rand articulated the terror that conservatives felt at the rapid leveling of incomes in that era--their sense of being singled out by a raging mob. She depicted the world in apocalyptic terms. Even slow encroachments of the welfare state, such as the minimum wage or public housing, struck her as totalitarian. She lashed out at John Kennedy in a polemical nonfiction tome entitled The Fascist New Frontier, anticipating by several decades Jonah Goldberg’s equally wild Liberal Fascism.

Rand’s most enduring accomplishment was to infuse laissez-faire economics with the sort of moralistic passion that had once been found only on the left. Prior to Rand’s time, two theories undergirded economic conservatism. The first was Social Darwinism, the notion that the advancement of the human race, like other natural species, relied on the propagation of successful traits from one generation to the next, and that the free market served as the equivalent of natural selection, in which government interference would retard progress. The second was neoclassical economics, which, in its most simplistic form, described the marketplace as a perfectly self-correcting instrument. These two theories had in common a practical quality. They described a laissez-faire system that worked to the benefit of all, and warned that intervention would bring harmful consequences. But Rand, by contrast, argued for laissez-faire capitalism as an ethical system. She did believe that the rich pulled forward society for the benefit of one and all, but beyond that, she portrayed the act of taxing the rich to aid the poor as a moral offense.

Countless conservatives and libertarians have adopted this premise as an ideological foundation for the promotion of their own interests. They may believe the consequentialist arguments against redistribution--that Bill Clinton’s move to render the tax code slightly more progressive would induce economic calamity, or that George W. Bush’s making the tax code somewhat less progressive would usher in a boom; but the utter failure of those predictions to come to pass provoked no re-thinking whatever on the economic right. For it harbored a deeper belief in the immorality of redistribution, a righteous sense that the federal tax code and budget represent a form of organized looting aimed at society’s most virtuous--and this sense, which remains unshakeable, was owed in good measure to Ayn Rand.

II.

Rand's early life mirrored the experience of her most devoted readers. A bright but socially awkward woman, she harbored the suspicion early on that her intellectual gifts caused classmates to shun her. She was born Alissa Rosenbaum in 1905 in St. Petersburg. Her Russian-Jewish family faced severe state discrimination, first for being Jewish under the czars, and then for being wealthy merchants under the Bolsheviks, who stole her family's home and business for the alleged benefit of the people.

Anne C. Heller, in her skillful life of Rand, traces the roots of Rand's philosophy to an even earlier age. (Heller paints a more detailed and engaging portrait of Rand's interior life, while Burns more thoroughly analyzes her ideas.) Around the age of five, Alissa Rosenbaum's mother instructed her to put away some of her toys for a year. She offered up her favorite possessions, thinking of the joy that she would feel when she got them back after a long wait. When the year had passed, she asked her mother for the toys, only to be told she had given them away to an orphanage. Heller remarks that "this may have been Rand's first encounter with injustice masquerading as what she would later acidly call ‘altruism." (The anti-government activist Grover Norquist has told a similar story from childhood, in which his father would steal bites of his ice cream cone, labelling each bite "sales tax" or "income tax." The psychological link between a certain form of childhood deprivation and extreme libertarianism awaits serious study.)

Rosenbaum dreamed of fame as a novelist and a scriptwriter, and fled to the United States in 1926, at the age of twenty-one. There she adopted her new name, for reasons that remain unclear. Rand found relatives to support her temporarily in Chicago, before making her way to Hollywood. Her timing was perfect: the industry was booming, and she happened to have a chance encounter with the director Cecil B. DeMille--who, amazingly, gave a script-reading job to the young immigrant who had not yet quite mastered the English language. Rand used her perch as a launching pad for a career as a writer for the stage and the screen.

Rand’s political philosophy remained amorphous in her early years. Aside from a revulsion at communism, her primary influence was Nietzsche, whose exaltation of the superior individual spoke to her personally. She wrote of one of the protagonists of her stories that "he does not understand, because he has no organ for understanding, the necessity, meaning, or importance of other people"; and she meant this as praise. Her political worldview began to crystallize during the New Deal, which she immediately interpreted as a straight imitation of Bolshevism. Rand threw herself into advocacy for Wendell Wilkie, the Republican presidential nominee in 1940, and after Wilkie’s defeat she bitterly predicted "a Totalitarian America, a world of slavery, of starvation, of concentration camps and of firing squads." Her campaign work brought her into closer contact with conservative intellectuals and pro-business organizations, and helped to refine her generalized anti-communist and crudely Nietzschean worldview into a moral defense of the individual will and unrestrained capitalism.

Rand expressed her philosophy primarily through two massive novels: The Fountainhead, which appeared in 1943, and Atlas Shrugged, which appeared in 1957. Both tomes, each a runaway best-seller, portrayed the struggle of a brilliant and ferociously individualistic man punished for his virtues by the weak-minded masses. It was Atlas Shrugged that Rand deemed the apogee of her life’s work and the definitive statement of her philosophy. She believed that the principle of trade governed all human relationships--that in a free market one earned money only by creating value for others. Hence, one’s value to society could be measured by his income. History largely consisted of "looters and moochers" stealing from society’s productive elements.

In essence, Rand advocated an inverted Marxism. In the Marxist analysis, workers produce all value, and capitalists merely leech off their labor. Rand posited the opposite. In Atlas Shrugged, her hero, John Galt, leads a capitalist strike, in which the brilliant business leaders who drive all progress decide that they will no longer tolerate the parasitic workers exploiting their talent, and so they withdraw from society to create their own capitalistic paradise free of the ungrateful, incompetent masses. Galt articulates Rand’s philosophy:

The man at the top of the intellectual pyramid contributes the most to all those below him, but gets nothing except his material payment, receiving no intellectual bonus from others to add to the value of his time. The man at the bottom who, left to himself, would starve in his hopeless ineptitude, contributes nothing to those above him, but receives the bonus of all of their brains. Such is the nature of the "competition" between the strong and the weak of the intellect. Such is the pattern of "exploitation" for which you have damned the strong.

The bifurcated class analysis did not end the similarities between Rand’s worldview and Marxism. Rand’s Russian youth imprinted upon her a belief in the polemical influence of fiction. She once wrote to a friend that "it’s time we realize--as the Reds do--that spreading our ideas in the form of fiction is a great weapon, because it arouses the public to an emotional, as well as intellectual response to our cause." She worked both to propagate her own views and to eliminate opposing views. In 1947 she testified before the House Un-American Activities Committee, arguing that the film Song of Russia, a paean to the Soviet Union made in 1944, represented communist propaganda rather than propaganda for World War II, which is what it really supported. (Rand, like most rightists of her day, opposed American entry into the war.)

In 1950, Rand wrote the influential Screen Guide for Americans, the Motion Picture Alliance’s industry guidebook for avoiding subtle communist influence in its films. The directives, which neatly summarize Rand’s worldview, included such categories as "Don’t Smear The Free Enterprise System," "Don’t Smear Industrialists" ("it is they who created the opportunities for achieving the unprecedented material wealth of the industrial age"), "Don’t Smear Wealth," and "Don’t Deify ‘The Common Man’" ("if anyone is classified as ‘common’--he can be called ‘common’ only in regard to his personal qualities. It then means that he has no outstanding abilities, no outstanding virtues, no outstanding intelligence. Is that an object of glorification?"). Like her old idol Nietzsche, she denounced a transvaluation of values according to which the strong had been made weak and the weak were praised as the strong.

Rand’s hotly pro-capitalist novels oddly mirrored the Socialist Realist style, with two-dimensional characters serving as ideological props. Burns notes some of the horrifying implications of Atlas Shrugged. "In one scene," she reports, "[Rand] describes in careful detail the characteristics of passengers doomed to perish in a violent railroad clash, making it clear their deaths are warranted by their ideological errors." The subculture that formed around her--a cult of the personality if ever there was one--likewise came to resemble a Soviet state in miniature. Beginning with the publication of The Fountainhead, Rand began to attract worshipful followers. She cultivated these (mostly) young people interested in her work, and as her fame grew she spent less time engaged in any way with the outside world, and increasingly surrounded herself with her acolytes, who communicated in concepts and terms that the outside world could not comprehend.

Rand called her doctrine "Objectivism," and it eventually expanded well beyond politics and economics to psychology, culture, science (she considered the entire field of physics "corrupt"), and sundry other fields. Objectivism was premised on the absolute centrality of logic to all human endeavors. Emotion and taste had no place. When Rand condemned a piece of literature, art, or music (she favored Romantic Russian melodies from her youth and detested Bach, Mozart, Beethoven, and Brahms), her followers adopted the judgment. Since Rand disliked facial hair, her admirers went clean-shaven. When she bought a new dining room table, several of them rushed to find the same model for themselves.

Rand’s most important acolyte was Nathan Blumenthal, who first met her as a student infatuated with The Fountainhead. Blumenthal was born in Canada in 1930. In 1949 he wrote to Rand, and began to visit her extensively, and fell under her spell. He eventually changed his name to Nathaniel Branden, signifying in the ancient manner of all converts that he had repudiated his old self and was reborn in the image of Rand, from whom he adapted his new surname. She designated Branden as her intellectual heir.

She allowed him to run the Nathaniel Branden Institute, a small society dedicated to promoting Objectivism through lectures, therapy sessions, and social activities. The courses, he later wrote, began with the premises that "Ayn Rand is the greatest human being who has ever lived" and "Atlas Shrugged is the greatest human achievement in the history of the world." Rand also presided over a more select circle of followers in meetings every Saturday night, invitations to which were highly coveted among the Objectivist faithful. These meetings themselves were frequently ruthless cult-like exercises, with Rand singling out members one at a time for various personality failings, subjecting them to therapy by herself or Branden, or expelling them from the charmed circle altogether.

So strong was the organization’s hold on its members that even those completely excommunicated often maintained their faith. In 1967, for example, the journalist Edith Efron was, in Heller’s account, "tried in absentia and purged, for gossiping, or lying, or refusing to lie, or flirting; surviving witnesses couldn’t agree on exactly what she did." Upon her expulsion, Efron wrote to Rand that "I fully and profoundly agree with the moral judgment you have made of me, and with the action you have taken to end social relations." One of the Institute’s therapists counseled Efron’s eighteen-year-old son, also an Objectivist, to cut all ties with his mother, and made him feel unwelcome in the group when he refused to do so. (Efron’s brother, another Objectivist, did temporarily disown her.)

Sex and romance loomed unusually large in Rand’s worldview. Objectivism taught that intellectual parity is the sole legitimate basis for romantic or sexual attraction. Coincidentally enough, this doctrine cleared the way for Rand--a woman possessed of looks that could be charitably described as unusual, along with abysmal personal hygiene and grooming habits--to seduce young men in her orbit. Rand not only persuaded Branden, who was twenty-five years her junior, to undertake a long-term sexual relationship with her, she also persuaded both her husband and Branden’s wife to consent to this arrangement. (They had no rational basis on which to object, she argued.) But she prudently instructed them to keep the affair secret from the other members of the Objectivist inner circle.

At some point, inevitably, the arrangement began to go very badly. Branden’s wife began to break down--Rand diagnosed her with "emotionalism," never imagining that her sexual adventures might have contributed to the young woman’s distraught state. Branden himself found the affair ever more burdensome and grew emotionally and sexually withdrawn from Rand. At one point Branden suggested to Rand that a second affair with another woman closer to his age might revive his lust. Alas, Rand--whose intellectual adjudications once again eerily tracked her self-interest--determined that doing so would "destroy his mind." He would have to remain with her. Eventually Branden confessed to Rand that he could no longer muster any sexual attraction for her, and later that he actually had undertaken an affair with another woman despite Rand’s denying him permission. After raging at Branden, Rand excommunicated him fully. The two agreed not to divulge their affair. Branden told his followers only that he had "betrayed the principles of Objectivism" in an "unforgiveable" manner and renounced his role within the organization.

Rand’s inner circle turned quickly and viciously on their former superior. Alan Greenspan, a cherished Rand confidant, signed a letter eschewing any future contact with Branden or his wife. Objectivist students were forced to sign loyalty oaths, which included the promise never to contact Branden, or to buy his forthcoming book or any future books that he might write. Rand’s loyalists expelled those who refused these orders, and also expelled anyone who complained about the tactics used against dissidents. Some of the expelled students, desperate to retain their lifeline to their guru, used pseudonyms to re-enroll in the courses or re-subscribe to her newsletter. But many just drifted away, and over time the Rand cult dwindled to a hardened few.

III.

Ultimately the Objectivist movement failed for the same reason that communism failed: it tried to make its people live by the dictates of a totalizing ideology that failed to honor the realities of human existence. Rand’s movement devolved into a corrupt and cruel parody of itself. She herself never won sustained personal influence within mainstream conservatism or the Republican Party. Her ideological purity and her unstable personality prevented her from forming lasting coalitions with anybody who disagreed with any element of her catechism.

Moreover, her fierce attacks on religion--she derided Christianity, again in a Nietzschean manner, as a religion celebrating victimhood--made her politically radioactive on the right. The Goldwater campaign in 1964 echoed distinctly Randian themes--"profits," the candidate proclaimed, "are the surest sign of responsible behavior"--but he ignored Rand’s overtures to serve as his intellectual guru. He was troubled by her atheism. In an essay in National Review ten years after the publication of Atlas Shrugged, M. Stanton Evans summarized the conservative view on Rand. She "has an excellent grasp of the way capitalism is supposed to work, the efficiencies of free enterprise, the central role of private property and the profit motive, the social and political costs of welfare schemes which seek to compel a false benevolence," he wrote, but unfortunately she rejects "the Christian culture which has given birth to all our freedoms."

The idiosyncracies of Objectivism never extended beyond the Rand cult, though it was a large cult with influential members--and yet her central contribution to right-wing thought has retained enormous influence. That contribution was to express the opposition to economic redistribution in moral terms, as a moral depravity. A long and deep strand of classical liberal thought, stretching back to Locke, placed the individual in sole possession of his own economic destiny. The political scientist C.B. MacPherson called this idea "possessive individualism," or "making the individual the sole proprietor of his own person and capacities, owing nothing to society for them." The theory of possessive individualism came under attack in the Marxist tradition, but until the era of the New Deal it was generally accepted as a more or less accurate depiction of the actual social and economic order. But beginning in the mid-1930s, and continuing into the postwar years, American society saw widespread transfers of wealth from the rich to the poor and the middle class. In this context, the theory of possessive individualism could easily evolve into a complaint against the exploitation of the rich. Rand pioneered this leap of logic--the ideological pity of the rich for the oppression that they suffer as a class.

There was more to Rand’s appeal. In the wake of a depression that undermined the prestige of business, and then a postwar economy that was characterized by the impersonal corporation, her revival of the capitalist as a romantic hero, even a superhuman figure, naturally flattered the business elite. Here was a woman saying what so many of them understood instinctively. "For twenty-five years," gushed a steel executive to Rand, "I have been yelling my head off about the little-realized fact that eggheads, socialists, communists, professors, and so-called liberals do not understand how goods are produced. Even the men who work at the machines do not understand it." Rand, finally, restored the boss to his rightful mythic place.

On top of all these philosophical compliments to success and business, Rand tapped into a latent elitism that had fallen into political disrepute but never disappeared from the economic right. Ludwig von Mises once enthused to Rand, "You have the courage to tell the masses what no politician told them: you are inferior and all the improvements in your condition which you simply take for granted you owe to the effort of men who are better than you." Rand articulated the terror that conservatives felt at the rapid leveling of incomes in that era--their sense of being singled out by a raging mob. She depicted the world in apocalyptic terms. Even slow encroachments of the welfare state, such as the minimum wage or public housing, struck her as totalitarian. She lashed out at John Kennedy in a polemical nonfiction tome entitled The Fascist New Frontier, anticipating by several decades Jonah Goldberg’s equally wild Liberal Fascism.

Rand’s most enduring accomplishment was to infuse laissez-faire economics with the sort of moralistic passion that had once been found only on the left. Prior to Rand’s time, two theories undergirded economic conservatism. The first was Social Darwinism, the notion that the advancement of the human race, like other natural species, relied on the propagation of successful traits from one generation to the next, and that the free market served as the equivalent of natural selection, in which government interference would retard progress. The second was neoclassical economics, which, in its most simplistic form, described the marketplace as a perfectly self-correcting instrument. These two theories had in common a practical quality. They described a laissez-faire system that worked to the benefit of all, and warned that intervention would bring harmful consequences. But Rand, by contrast, argued for laissez-faire capitalism as an ethical system. She did believe that the rich pulled forward society for the benefit of one and all, but beyond that, she portrayed the act of taxing the rich to aid the poor as a moral offense.

Countless conservatives and libertarians have adopted this premise as an ideological foundation for the promotion of their own interests. They may believe the consequentialist arguments against redistribution--that Bill Clinton’s move to render the tax code slightly more progressive would induce economic calamity, or that George W. Bush’s making the tax code somewhat less progressive would usher in a boom; but the utter failure of those predictions to come to pass provoked no re-thinking whatever on the economic right. For it harbored a deeper belief in the immorality of redistribution, a righteous sense that the federal tax code and budget represent a form of organized looting aimed at society’s most virtuous--and this sense, which remains unshakeable, was owed in good measure to Ayn Rand.

The economic right may believe religiously in their moral view of wealth, but we do not have to respect it as we might respect religious faith. For it does not transcend--perhaps no religion should transcend--empirical scrutiny. On the contrary, this conservative view, the Randian inversion of the Marxist worldview, rests upon a series of propositions that can be falsified by data.

Let us begin with the premise that wealth represents a sign of personal virtue--thrift, hard work, and the rest--and poverty the lack thereof. Many Republicans consider the link between income and the work ethic so self-evident that they use the terms "rich" and "hard-working" interchangeably, and likewise "poor" and "lazy." The conservative pundit Dick Morris accuses Obama of "rewarding failure and penalizing hard work" through his tax plan. His comrade Bill O’Reilly complains that progressive taxation benefits "folks who dropped out of school, who are too lazy to hold a job, who smoke reefers 24/7."

A related complaint against redistribution holds that the rich earn their higher pay because of their nonstop devotion to office work--a grueling marathon of meetings and emails that makes the working life of the typical nine-to-five middle-class drone a vacation by comparison. "People just don’t get it. I’m attached to my BlackBerry," complained one Wall Streeter to Sherman. "I get calls at two in the morning, when the market moves. That costs money.

Now, it is certainly true that working hard can increase one’s chances of growing rich. It does not necessarily follow, however, that the rich work harder than the poor. Indeed, there are many ways in which the poor work harder than the rich. As the economist Daniel Hamermesh discovered, low-income workers are more likely to work the night shift and more prone to suffering workplace injuries than high-income workers. White-collar workers put in those longer hours because their jobs are not physically exhausting. Few titans of finance would care to trade their fifteen-hour day sitting in a mesh chair working out complex problems behind a computer for an eight-hour day on their feet behind a sales counter.

For conservatives, the causal connection between virtue and success is not merely ideological, it is also deeply personal. It forms the basis of their admiration of themselves. If you ask a rich person whether he ascribes his success to good fortune or his own merit, the answer will probably tell you whether that person inhabits the economic left or the economic right. Rand held up her own meteoric rise from penniless immigrant to wealthy author as a case study of the individualist ethos. "No one helped me," she wrote, "nor did I think at any time that it was anyone’s duty to help me."

But this was false. Rand spent her first months in this country subsisting on loans from relatives in Chicago, which she promised to repay lavishly when she struck it rich. (She reneged, never speaking to her Chicago family again.) She also enjoyed the great fortune of breaking into Hollywood at the moment it was exploding in size, and of bumping into DeMille. Many writers equal to her in their talents never got the chance to develop their abilities. That was not because they were bad or delinquent people. They were merely the victims of the commonplace phenomenon that Bernard Williams described as "moral luck."

Not surprisingly, the argument that getting rich often entails a great deal of luck tends to drive conservatives to apoplexy. This spring the Cornell economist Robert Frank, writing in The New York Times, made the seemingly banal point that luck, in addition to talent and hard work, usually plays a role in an individual’s success. Frank’s blasphemy earned him an invitation on Fox News, where he would play the role of the loony liberal spitting in the face of middle-class values. The interview offers a remarkable testament to the belligerence with which conservatives cling to the mythology of heroic capitalist individualism. As the Fox host, Stuart Varney, restated Frank’s outrageous claims, a voice in the studio can actually be heard laughing off-camera. Varney treated Frank’s argument with total incredulity, offering up ripostes such as "That’s outrageous! That is outrageous!" and "That’s nonsense! That is nonsense!" Turning the topic to his own inspiring rags-to-riches tale, Varney asked: "Do you know what risk is involved in trying to work for a major American network with a British accent?"

There seems to be something almost inherent in the right-wing psychology that drives its rich adherents to dismiss the role of luck--all the circumstances that must break right for even the most inspired entrepreneur--in their own success. They would rather be vain than grateful. So seductive do they find this mythology that they omit major episodes of their own life, or furnish themselves with preposterous explanations (such as the supposed handicap of making it in American television with a British accent--are there any Brits in this country who have not been invited to appear on television?) to tailor reality to fit the requirements of the fantasy.

The association of wealth with virtue necessarily requires the free marketer to play down the role of class. Arthur Brooks, in his book Gross National Happiness, concedes that "the gap between the richest and poorest members of society is far wider than in many other developed countries. But there is also far more opportunity ... there is in fact an amazing amount of economic mobility in America." In reality, as a study earlier this year by the Brookings Institution and Pew Charitable Trusts reported, the United States ranks near the bottom of advanced countries in its economic mobility. The study found that family background exerts a stronger influence on a person’s income than even his education level. And its most striking finding revealed that you are more likely to make your way into the highest-earning one-fifth of the population if you were born into the top fifth and did not attain a college degree than if you were born into the bottom fifth and did. In other words, if you regard a college degree as a rough proxy for intelligence or hard work, then you are economically better off to be born rich, dumb, and lazy than poor, smart, and industrious.

In addition to describing the rich as "hard-working," conservatives also have the regular habit of describing them as "productive." Gregory Mankiw describes Obama’s plan to make the tax code more progressive as allowing a person to "lay claim to the wealth of his more productive neighbor." In the same vein, George Will laments that progressive taxes "reduce the role of merit in the allocation of social rewards--merit as markets measure it, in terms of value added to the economy." The assumption here is that one’s income level reflects one’s productivity or contribution to the economy.

Is income really a measure of productivity? Of course not. Consider your own profession. Do your colleagues who demonstrate the greatest skill unfailingly earn the most money, and those with the most meager skill the least money? I certainly cannot say that of my profession. Nor do I know anybody who would say that of his own line of work. Most of us perceive a world with its share of overpaid incompetents and underpaid talents. Which is to say, we rightly reject the notion of the market as the perfect gauge of social value.

Now assume that this principle were to apply not only within a profession--that a dentist earning $200,000 a year must be contributing exactly twice as much to society as a dentist earning $100,000 a year--but also between professions. Then you are left with the assertion that Donald Trump contributes more to society than a thousand teachers, nurses, or police officers. It is Wall Street, of course, that offers the ultimate rebuttal of the assumption that the market determines social value. An enormous proportion of upper-income growth over the last twenty-five years accrued to an industry that created massive negative social value--enriching itself through the creation of a massive bubble, the deflation of which has brought about worldwide suffering.

If one’s income reflects one’s contribution to society, then why has the distribution of income changed so radically over the last three decades? While we ponder that question, consider a defense of inequality from the perspective of three decades ago. In 1972, Irving Kristol wrote that

Human talents and abilities, as measured, do tend to distribute themselves along a bell-shaped curve, with most people clustered around the middle, and with much smaller percentages at the lower and higher ends.... This explains one of the most extraordinary (and little-noticed) features of 20th-century societies: how relatively invulnerable the distribution of income is to the efforts of politicians and ideologues to manipulate it. In all the Western nations--the United States, Sweden, the United Kingdom, France, Germany--despite the varieties of social and economic policies of their governments, the distribution of income is strikingly similar.

So Kristol thought the bell-shaped distribution of income in the United States, and the similarly shaped distributions among our economic peers, proved that income inequality merely followed the natural inequality of human talent. As it happens, Kristol wrote that passage shortly before a boom in inequality, one that drove the income share of the highest-earning 1 percent of the population from around 8 percent (when he was writing) to 24 percent today, and which stretched the bell curve of the income distribution into a distended sloping curve with a lengthy right tail. At the same time, America has also grown vastly more unequal in comparison with the European countries cited by Kristol.

This suggests one of two possibilities. The first is that the inherent human talent of America’s economic elite has massively increased over the last generation, relative to that of the American middle class and that of the European economic elite. The second is that bargaining power, political power, and other circumstances can effect the distribution of income--which is to say, again, that one’s income level is not a good indicator of a person’s ability, let alone of a person’s social value.

The final feature of Randian thought that has come to dominate the right is its apocalyptic thinking about redistribution. Rand taught hysteria. The expressions of terror at the "confiscation" and "looting" of wealth, and the loose talk of the rich going on strike, stands in sharp contrast to the decidedly non-Bolshevik measures that they claim to describe. The reality of the contemporary United States is that, even as income inequality has exploded, the average tax rate paid by the top 1 percent has fallen by about one-third over the last twenty-five years. Again: it has fallen. The rich have gotten unimaginably richer, and at the same time their tax burden has dropped significantly. And yet conservatives routinely describe this state of affairs as intolerably oppressive to the rich. Since the share of the national income accruing to the rich has grown faster than their average tax rate has shrunk, they have paid an ever-rising share of the federal tax burden. This is the fact that so vexes the right.

Most of the right-wing commentary purporting to prove that the rich bear the overwhelming burden of government relies upon the simple trick of citing only the income tax, which is progressive, while ignoring more regressive levies. A brief overview of the facts lends some perspective to the fears of a new Red Terror. Our government divides its functions between the federal, state, and local levels. State and local governments tend to raise revenue in ways that tax the poor at higher rates than the rich. (It is difficult for a state or a locality to maintain higher rates on the rich, who can easily move to another town or state that offers lower rates.) The federal government raises some of its revenue from progressive sources, such as the income tax, but also healthy chunks from regressive levies, such as the payroll tax.

The sum total of these taxes levies a slightly higher rate on the rich. The bottom 99 percent of taxpayers pay 29.4 percent of their income in local, state, and federal taxes. The top 1 percent pay an average total tax rate of 30.9 percent--slightly higher, but hardly the sort of punishment that ought to prompt thoughts of withdrawing from society to create a secret realm of capitalistic übermenschen. These numbers tend to bounce back and forth, depending upon which party controls the government at any given time. If Obama succeeds in enacting his tax policies, the tax burden on the rich will bump up slightly, just as it bumped down under George W. Bush.

What is so striking, and serves as the clearest mark of Rand’s lasting influence, is the language of moral absolutism applied by the right to these questions. Conservatives define the see-sawing of the federal tax-and-transfer system between slightly redistributive and very slightly redistributive as a culture war over capitalism, or a final battle to save the free enterprise system from the hoard of free-riders. And Obama certainly is expanding the role of the federal government, though probably less than George W. Bush did. (The Democratic health care bills would add considerably less net expenditure to the federal budget than Bush’s prescription drug benefit.) The hysteria lies in the realization that Obama would make the government more redistributive--that he would steal from the virtuous (them) and give to the undeserving.

Like many other followers of Rand, John Allison of BB&T has taken to claiming vindication in the convulsive events of the past year. "Rand predicted what would happen fifty years ago,” he told The New York Times. "It’s a nightmare for anyone who supports individual rights." If Rand was truly right, of course, then Allison will flee his home and join his fellow supermen in some distant capitalist nirvana. So perhaps the economic crisis may bring some good after all.

Jonathan Chait is a senior editor at The New Republic.